Street art on the Knox Church at the corner of Bealey Ave. It depicts a plaster with the words "I'll kiss it better" next to it in a speech bubble.
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
A photograph of a colourful brick wall and a spiral pattern on the ground at New Brighton Mall. There is also a red and black rug rolled up and laid down on the ground.
185 Chairs, an art installation by artist Peter Majendie, which is a memorial to those who died as a result of the 22 February 2011 earthquake.
A PDF copy of pages 372-373 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Container Love (Container Cosy)'. Photos: Barnaby Bennett
A photograph of USAR codes spray-painted on the front door of the Art Gallery Apartments on Gloucester Street. A red sticker has been taped to the door, indicating that the building is unsafe to enter.
185 Chairs, an art installation by artist Peter Majendie, which is a memorial to those who died as a result of the 22 February 2011 earthquake.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of a media briefing on the Christchurch earthquake response. The briefing was held in the in the Christchurch Art Gallery, which served as the temporary Civil Defence headquarters after the 22 February 2011 earthquake. Mayor Bob Parker is about to speak.
A photograph of a vacant site on Gloucester Street next to Cathedral Junction. The site is to be the location for 'Sound Cone', a performance space which is part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A photograph of the illuminated Silhouette Carnival installation at on Gloucester Street. Part of In Your Face can also be seen on the left. The installations are part of LUXCITY.
A photograph of vacant sites on either side of Gloucester Street. Across the road in the distance, students are installing In Your Face, which is part of LUXCITY.
A photograph of a fenced-off vacant site on Gloucester Street. The site is to be the location for Silhouette Carnival, a large-scale installation which is part of LUXCITY.
A digital copy of a painting by Hamish Allan. The painting is titled, 'Double Bill' and was painted in 2011. The original painting is acrylic on canvas and measures 1010 by 410mm.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of two people at The Auricle Sonic Arts Gallery on New Regent Street, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".
A photograph of Peter Majendie's memorial artwork '185 Empty Chairs' on Madras Street, with the Transitional Cathedral in the background.
A photograph of graffiti by PWR on a wall in Edgeware Road.
A photograph of Peter Majendie's memorial artwork '185 Empty Chairs' on Madras Street, with the Transitional Cathedral in the background.
A photograph of the LUXCITY installation Halo.
A photograph of Peter Majendie's memorial artwork '185 Empty Chairs' on Madras Street, with the Transitional Cathedral in the background.
A broken window decorated with a lizard emblem on a building on Hereford Street. The photographer comments, "Many of the buildings are waiting to be demolished. As this one has been abandoned it is probably on the list".
A photograph of a colourful wall of bricks. There is damage on the right hand side. In front of it is a pattern made from fallen bricks.
Photograph captioned by Fairfax, "Civil Defence centre has now moved from the Christchurch Art Gallery to the new civil offices in Hereford Street. Christchurch mayor Bob Parker talks to the media".
A view down Montreal Street with the Christchurch Art Gallery on the left. On the gallery forecourt is the sculpture "Reasons for Voyaging", a collaboration between Canterbury sculptor, Graham Bennett and architect, David Cole.