A photograph of street games at CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A PDF copy of pages 68-69 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Why is This Real Not That?'. Photo: Reuben Woods
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
A PDF copy of pages 154-155 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Gap Filler #1'. Photos: Gap Filler
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A PDF copy of pages 248-249 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Hereafter'. Photo: Bridgit Anderson
A photograph of graffiti by PWR on a wall in Edgeware Road.
A photograph of graffiti by SULK on a wall in Cashel Street.
A PDF copy of pages 18-19 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Revival'. Photos: Sam Heap
A PDF copy of pages 26-27 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project '100 Days to Rebuild Democracy'. Photos used with permission: Bronwyn Hayward
A PDF copy of pages 184-185 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Re:Entry'. Photos: Gap Filler
A photograph of a musician performing at the Re:Entry event.
A photograph of Sharon Wilson and Helen Campbell working in Crack'd for Christchurch's workshop. Wilson and Campbell have laid pieces of broken china on the carpet in front of them.
A photograph of Dematerialization - an immersive experience linking physical space and virtual reality. This virtual performance was created by Patrick Hegarty, Madeline Sewall and Jayden Kenny, for FESTA 2014.
A photograph of Helen Campbell and Sigal Golan making mosaic leaves out of pieces of broken china.Crack'd for Christchurch comments, "In March an Israeli mosaicker travelling through New Zealand stayed with Helen for a week and gave us her time for free. Thank you Sigal Golan."
A photograph of Jayne White delivering coffees to the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage. In the background, mosaic flowers have been laid on the ground. A table with tea and coffee is sitting to the right.
A digital copy of a plan for Crack'd for Christchurch's armchair artwork. The plan shows three views of an armchair from different angles.
A photograph of Jonathan Hall, Marie Hudson, and Jenny Cooper in Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "It is August 2013, two and a half years since the big quake. We have a plan, we have a tiny bit of funding, and we have commissioned the chair framework. From left: Jenny Cooper, Marie Hudson, and Jonathan Hall (chair engineer of Greening the Rubble)."
A photograph of members of Crack'd for Christchurch in their workshop in the Christchurch central city. In the background there are boxes of broken china.Crack'd for Christchurch comments, "From left: Shirley Walden and Marie Hudson."
A photograph of Jenny Cooper laying out mosaic designs on the floor of Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "August 2013. Some of the motifs designed by Jenny Cooper."
A photograph of a pile of mosaic designs on a table. Next to the designs are a plate of scones and two hot drinks.Crack'd for Christchurch comments, "There is always good food around when Crack'd gets together."
A photograph of Jenny Cooper labelling boxes of broken china in Crack'd for Christchurch's workshop.Crack'd for Christchurch comments, "Jenny Cooper always labelling, labelling, labelling."
A photograph of Helen Campbell and Jonathan Hall transfering Crack'd for Christchurch's ottoman artwork from Campbell's garage to a trailer.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A PDF copy of pages 82-83 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Wonky Peterborough'. Photo: Reuben Woods
A thumbnail photograph of Whole House Reuse item 285, cropped for the catalogue. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.