Photograph captioned by BeckerFraserPhotos, "Remains of houses in Kinsey Terrace, Sumner".
A black and white historic photograph of the south face of the Lyttelton Times Building following its extension in 1902-3, viewed from Cathedral Square, [1904].
A black and white historic photograph looking along Manchester Street, showing the building of the NZ Express Company, customs, shipping and forwarding agents (ca. 1910-1929).
A black and white historic photograph of the public viewing the 1931 election results posted on The Press building, taken ca. 1931 by The Press (Christchurch).
A black and white photograph of performers at the Songs For Christchurch launch. In the foreground, an audience member gives the thumbs up to the camera.
A black and white historic photograph of the reconstruction of Armstrong & Co., a major department store on the corner of Colombo and Armagh Streets, [ca. 1930].
Black-and-white photograph of a brick building, with staff and horse-drawn carriages from the Fire Brigade of Christchurch in the foreground. Photograph taken c1906.
A photograph of scarecrows leaning against a shed at the Gap Filler Butterfly Gap site.
A photograph of painted fence palings at the Gap Filler Butterfly Gap site.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A black and white historic photograph of John Anderson and his foreman, Mr A. Kirk, standing outside the foundry at the back of the Andersons' building, [ca. 1900].
A black and white historic photograph of the south end of the Lyttelton Times Building prior to its extension in 1902-3, viewed from Cathedral Square, [ca. 1885].
A document containing examples of the technical update newsletter which detailed SCIRT innovations. The newsletters in the document were produced between 1 July 2013 and 1 May 2014.
A photograph of the Gap Filler Butterfly Gap, created on an empty site on Barbadoes Street.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Jennie Cooper and Jayne White."
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.
A black and white historic photograph of the exterior Clarendon Hotel, designed by J.C. Maddison. The photograph was taken from the corner of Oxford Terrace and Worcester Street, [1903].
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A scanned copy of a black and white photograph belonging to University of Canterbury alumnus Jeff Field. The photograph was taken in the 1970s and depicts students firewalking on campus.
A scanned copy of a black and white photograph of students posing next to and on top of Okeover House at the University of Canterbury. The photograph was taken in 1978.
The aisle of 'The Night Club', Gap Filler's temporary cinema, painted onto the gravel of the vacant space. Currently it is white, but it will be painted red before opening time.
A black and white historic photograph of buildings in Cathedral Square, Christchurch, circa 1920s. From left to right: The Weekly Press, H M Customs, Christchurch Tramway Board/Lyttelton Harbour Board.
A photograph of a child painting a bookshelf during the 'Words of Hope' event. An assortment of furniture has been painted white, and the public invited to spray-paint messages onto the pieces.
A black and white photograph of a partially demolished building. The remains of concrete slabs hang from reinforcing rods. The photographer comments, "Christchurch has a gallery of quake art on nearly every corner".
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "The Silvan Salvage" in white letters and signed by Mesr.