Puari is a longstanding fishing area for Ngāi Tūāhuriri. It was claimed by chief Pita Te Hori for the hapū in 1868 but denied by the Crown, because the land had been allocated to settlers. This site is now owned by Ngāi Tahu and a building named after Te Hori stands here.
A pdf transcript of Martin's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Lauren Millar.
A pdf transcript of Kathryn's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Joshua Black. Transcriber: Maggie Blackwood.
A pdf transcript of Lois Mathie's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Natalie Looyer.
A pdf transcript of Pamela's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Joshua Black. Transcriber: Maggie Blackwood.
A pdf transcript of Rolan McConnell's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Sriparna Saha. Transcriber: Samuel Hope.
A pdf transcript of Sally Roome's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Jennifer Middendorf.
A pdf transcript of Sara Green's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Laura Moir. Transcriber: Sarah Woodfield.
A pdf transcript of Troy Gillan's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Maggie Blackwood.
A pdf transcript of Participant number QB006's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Lucy Denham. Transcriber: Lucy Denham.
A pdf transcript of Flora Anni Mamaeroa Mcgregor (Flo)'s second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Destiny Wiringi. Transcriber: Maggie Blackwood.
A pdf transcript of Gabrielle Moore's second earthquake story, captured by the UC QuakeBox Take 2 project. Interviewer: Samuel Hope. Transcriber: Maggie Blackwood.
The Harbourlight Theatre on London Street in Lyttelton. There is cracking along the side of the building and damage to the domes on top of the towers. Bracing has been placed at the top to limit further damage and to stop debris from falling on the road.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
The north side of the Christ Church Cathedral with the partially demolished tower visible, a pile of rubble in front. Bracing has been placed up against the front of the building to hold the wall together. The Citizens' Memorial can be seen to the left.
A photograph of the site of a demolished building on the corner of Bealey Avenue and Victoria Street. Wire fencing has been placed around the site as a cordon. Signs on the fence indicate that many of the businesses which were in the area have moved and are still open.
A photograph captioned by BeckerFraserPhotos, "The painted piano at 636 Ferry Road. This is one of a group of painted pianos which were placed on the sites of demolished building by Gap Filler to enable impromptu and planned neighbourhood concerts".
A photograph of the south side of the ChristChurch Cathedral, taken from the edge of Cathedral Square. Scaffolding has been set up against one of the walls and a turret has been removed from the building and is now situated in a secure holding on the grass in front.
A video of an interview with stonemason Mark Whyte, about the demolition of the Holy Trinity Church in Avonside. Whyte discusses how the building should have been deconstructed slowly in order to salvage unique heritage material such as stained-glass windows and hand-painted ceilings.
A video of an interview with Roger Sutton, Chief Executive of CERA, about his vision for Christchurch. Sutton talks about CERA's Christchurch central city blueprint, the need to show off the heritage buildings in Christchurch, how to link the central city to the suburbs, and how to make compromises.
A photograph of St John's Anglican Church in Hororata. The spire of the church, which partially collapsed in the 4 September earthquake, has been boarded up in order to protect the building from rain. This photograph was modelled off an image taken by BeckerFraserPhotos in October 2010.
St Johns Church on Hereford Street with damage to the tip of the archway and a red sticker on the door indicating that the building is unsafe to enter. The side of the church has been braced to stabilise the west wall and limit further damage from aftershocks.
St Pauls Trinity-Pacific Presbyterian Church on the corner of Cashel and Madras Streets. Scaffolding has been placed around the left dome of the building which was damaged during the 4 September earthquake. Plastic has also been placed over the dome to protect the inside from weather damage.
St Pauls Trinity-Pacific Presbyterian Church on the corner of Cashel and Madras Streets. Scaffolding has been placed around the left dome of the building which was damaged during the 4 September earthquake. Plastic has also been placed over the dome to protect the inside from weather damage.
A PDF copy of page 238 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'The Anglican Cathedral'. Note that images have been removed from the page for copyright reasons.
A photograph Chris from St Albans taking part in #FiveYearsOn. Chris holds a sign which reads, "Five years on, I feel... I happy new ch// I New Building// I happy in Chch Art gallery been opened [sic] // Chris Farrow, St Albans Merivale".
A photograph of the earthquake damage to the Cranmer Courts on the corner of Montreal and Kilmore Streets. One of the gables of the section of the building on the corner has crumbled. Ties have been placed around all of the gables as bracing.
A photograph of emergency management personnel inspecting a room inside a building. A section of the wall in front of them has been removed so that it is now possible to see into the adjoining room. The closest room is full of cardboard filing boxes.
Photograph captioned by BeckerFraserPhotos, "The Cathedral of the Blessed Sacrament, Barbadoes Street. After the February earthquake the statue of Mary was facing outwards towards the street, whereas before the earthquakes the statue faced inwards towards the church".
A digitally manipulated image of a broken window on Spicer House. The photographer comments, "One of the office blocks in Christchurch City, New Zealand. As the window has not been fixed I am presuming that this building will be slowly demolished at a later date".