Dance-O-Mat Photograph 2

Images, UC QuakeStudies

A photograph of people dancing at the Gap Filler Dance-O-Mat.

Dino-Sauna Photograph 1

Images, UC QuakeStudies

A photograph of volunteers erecting the Dino-Sauna on an empty site in Lyttelton.

Dairy and Container Colombo Street Photograph 1

Images, UC QuakeStudies

A photograph of a shipping container being used as a temporary dairy.

Beach Garden Photograph 1

Images, UC QuakeStudies

A photograph of a beach garden in New Brighton.

Dino-Sauna Photograph 3

Images, UC QuakeStudies

A photograph of a sign giving information about the Gap Filler Dino-Sauna project.

Dairy Garden Photograph 6

Images, UC QuakeStudies

A photograph of volunteers creating a garden area on Colombo Street.

Dairy and Container Colombo Street Photograph 4

Images, UC QuakeStudies

A photograph of a shipping container being used as a temporary dairy.

Photograph of Kloud 2012:10:20 20:34:59

Images, UC QuakeStudies

A photograph of the installation titled Kloud at LUXCITY.

Coffee Zone Mini Park Photograph 4

Images, UC QuakeStudies

A photograph of a garden area on Colombo Street.

Photograph of Kloud 2012:10:20 20:38:33

Images, UC QuakeStudies

A photograph of the installation titled Kloud at LUXCITY.

Photograph of Halo 2012:10:20 21:03:46

Images, UC QuakeStudies

A photograph of the LUXCITY installation Halo.

Dance-O-Mat Photograph 1

Images, UC QuakeStudies

A photograph of people dancing at the Gap Filler Dance-O-Mat.

Gap Filler Office Photograph 3

Images, UC QuakeStudies

A photograph of builders preparing framing for Gap Filler's office.

Dairy and Container Colombo Street Photograph 2

Images, UC QuakeStudies

A photograph of a shipping container being used as a temporary dairy.

Butterfly Gap Photograph 2

Images, UC QuakeStudies

A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.

Empowered Christchurch Social Media Campaigns: Code Compliance Certificates

Images, UC QuakeStudies

A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."

Samo Lyttelton cafe Photograph 2

Images, UC QuakeStudies

A photograph of the seating area at the Samo Lyttelton cafe. In the background is a view of Lyttelton Harbour.

Samo Lyttelton cafe Photograph 5

Images, UC QuakeStudies

A photograph of the interior of the Samo Lyttelton cafe. Shelves hold childrens' books and toys, a tray of condiments, and other items.

Tati/Playtime Photograph 6

Images, UC QuakeStudies

A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.

Photograph of LUXCITY 2012:10:20 20:30:13

Images, UC QuakeStudies

A photograph of the LUXCITY installations Archrobatics (left) and Altitude on Manchester Street.

Crux Photograph 3

Images, UC QuakeStudies

A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 24, and is part of the Crux project.

Poetica Urban Poetry Project Photograph 6

Images, UC QuakeStudies

A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.

Film in the Gap Photograph 1

Images, UC QuakeStudies

A photograph of a chalkboard painted on the wall of a building. The chalkboard advertises upcoming Gap Filler events. A woman is chalking a message on the wall.

Poetica Urban Poetry Project Photograph 2

Images, UC QuakeStudies

A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.

Poetica Urban Poetry Project Photograph 3

Images, UC QuakeStudies

A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.

Poetica Urban Poetry Project Photograph 4

Images, UC QuakeStudies

A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.

Crux Photograph 1

Images, UC QuakeStudies

A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 42, and is part of the Crux project.

Crux Photograph 2

Images, UC QuakeStudies

A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 44, and is part of the Crux project.

Samo Lyttelton cafe Photograph 3

Images, UC QuakeStudies

A photograph of a customer in the seating area of the Samo Lyttelton cafe. On the walls of the cafe are posters advertising local events.

Gap Filler #1 Photograph 1

Images, UC QuakeStudies

A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.