A photograph of Fay (left), Glen (middle) and Max Happer (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Fred (left) and Bev Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Carroll family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lyn (left) and Tyla Carroll (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Shirley (left) and Peter Jenkins (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of eight posters from phase 1 of the All Right? campaign, specifically targeting Kaiapoi. Each poster seeks to normalise a different emotional experience, for example, "It's all right to feel blue now and then." Each poster also includes, "Kaiapoi has changed a lot and we all see things a little differently. And that's all right".
A PDF copy of red-zoned Kaiapoi residents the Evans family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of the former Kaiapoi residence of Bob and Joan Cattermole (deceased). The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Bob (left) and Judy Hawker (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Jenny (back) and Pat Barker (front) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Derek Woodward and Claire Woodward's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi resident Arline Grimshaw's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Claire (left) and Derek Woodward (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A map showing the status of housing in Kaiapoi.
Photograph captioned by Fairfax, "Kaiapoi volunteers clearing out sand".
A large crack runs across Peraki Street in Kaiapoi.
Photograph captioned by Fairfax, "Blackwell frontage comes down, Kaiapoi".
Liquefaction silt and cracking in a paddock near Kaiapoi.
A digger removes liquefaction from a street in Kaiapoi.
Photograph captioned by Fairfax, "Ground cracks out in Kaiapoi".
Cracks and liquefaction in a car park in Kaiapoi.
Cracks and buckling in a car park in Kaiapoi.
A bulldozer removes liquefaction from Rich Street in Kaiapoi.
Machinery working to repair the railway line near Kaiapoi.
A row of portaloos on Jones Street in Kaiapoi.
Photograph captioned by BeckerFraserPhotos, "3 Meadow Street, Kaiapoi. This side of the street is blue-green (Technical Category 3) and the opposite side is red zoned".
A zip file of an interactive 360-degree panoramic photograph in HTML5 format. The photograph was taken in Kaiapoi, at the intersection of Williams Street and Hilton Street on 1 September 2012.
A zip file of an interactive 360-degree panoramic photograph in HTML5 format. The photograph was taken in Kaiapoi, at the intersection of Williams Street and Sewell Street on 1 September 2012.
A zip file of an interactive 360-degree panoramic photograph in HTML5 format. The photograph was taken in Kaiapoi, at the intersection of Williams Street and Charles Street on 1 September 2012.
Photograph captioned by BeckerFraserPhotos, "A cross scratched in the glass of a window in St Bartholomew's Anglican Church, Kaiapoi".