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Bettina Evans's photograph 21
Images, UC QuakeStudies
Sue-Ellen, a member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Bettina Evans's photograph 20
Images, UC QuakeStudies
Wendy, a member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Bettina Evans's photograph 42
Images, UC QuakeStudies
Jacinda's daughter Sky, a heart stitching apprentice outside the library wearing a heart in her hair. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
BeckerFraserPhotos May 2012 photograph 195
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "PriceWaterhouseCoopers Building (under demolition, lower centre), Clarendon Tower (under demolition upper centre), New Regent Street (lower left) and New Press building at the left end of New Regent Street".
Bettina Evans's photograph 29
Images, UC QuakeStudies
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Bettina Evans's photograph 32
Images, UC QuakeStudies
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Bettina Evans's photograph 38
Images, UC QuakeStudies
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
All Right? Still Here - The Kaiapoi Portrait Project: Chris Paterson and H…
Images, UC QuakeStudies
A photograph of Chris Paterson (left) and Helen Swain (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Barbara Townsend and…
Images, UC QuakeStudies
A photograph of Barbara Townsend (right) and Jackson (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Gretta and Brian Mor…
Images, UC QuakeStudies
A photograph of Gretta (left) and Brian Morris (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Willy and Andrew Mar…
Images, UC QuakeStudies
A photograph of Willy (left) and Andrew Martin (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Bev and Fred Evans's…
Images, UC QuakeStudies
A photograph of Fred (left) and Bev Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Lyn and Tyla Carroll…
Images, UC QuakeStudies
A photograph of Lyn (left) and Tyla Carroll (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Shirley and Peter Je…
Images, UC QuakeStudies
A photograph of Shirley (left) and Peter Jenkins (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Bob and Judy Hawker'…
Images, UC QuakeStudies
A photograph of Bob (left) and Judy Hawker (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Jenny and Pat Barker…
Images, UC QuakeStudies
A photograph of Jenny (back) and Pat Barker (front) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Derek and Claire Woo…
Images, UC QuakeStudies
A photograph of Claire (left) and Derek Woodward (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Gillian Rayner and H…
Images, UC QuakeStudies
A photograph of Gillian Rayner (right) with her father Harry Stanton (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Mick and Rose Marine…
Images, UC QuakeStudies
A photograph of Mick (left) and Rose Mariner (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Bob and Joan Catterm…
Articles, UC QuakeStudies
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
All Right? Still Here - The Kaiapoi Portrait Project: Fay and Glen Happer'…
Images, UC QuakeStudies
A photograph of Fay (left), Glen (middle) and Max Happer (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
We Lived Here: Oxford Terrace Photograph 037
Images, UC QuakeStudies
A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The front walls has been covered with plastic sheeting. A bow made out of curtains has been pinned to the plastic where the fireplace juts out from the wall. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".
All Right? Still Here - The Kaiapoi Portrait Project: Kylee and Elmar Vink…
Images, UC QuakeStudies
A photograph of Kylee (left), Elmar (right) and the rest of the Vink family at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
We Lived Here: Oxford Terrace Photograph 031
Images, UC QuakeStudies
A photograph of Siobhan Murphy's house at 436 Oxford Terrace. The front walls has been covered with plastic sheeting. A bow made out of curtains has been pinned to the plastic where the fireplace juts out from the wall. The photographer comments, "The bow is a memorial to Murphy's living room and her life in the house".
US Rescuers Gift High-Spec Equipment and Supplies March 09, 2011
Articles, UC QuakeStudies
A press release from the United States Embassy New Zealand about the USAID Disaster Assistance Response Team gifting their New Zealand counterparts around $600,000 worth of sophisticated detection and rescue equipment after the 22 February 2011 earthquake.
All Right? Campaigns and Projects: Canterbury Rollercoaster Escalator Side…
Articles, UC QuakeStudies
A PDF copy of a design for the side of an escalator near a Glassons store. The file includes the precise measurements and specifications. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
All Right? Campaigns and Projects: Canterbury Rollercoaster Escalator Side…
Articles, UC QuakeStudies
A PDF copy of a design for the side of an escalator near a Hoyts movie theatre. The file includes the precise measurements and specifications. The design depicts the 'Canterbury Rollercoaster' and reads, "Life's full of ups and downs. Where are you, your friends, and your whanau at? Visit allright.org.nz". The 'Canterbury Rollercoaster' was designed to raise awareness about emotional literacy in Canterbury.
BeckerFraserPhotos December 2011 photograph 0285
Images, UC QuakeStudies
An aerial photograph of the Christchurch Central City. The photograph has been captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street and High Streets".
Dan Neely WEMO Photograph 14
Images, UC QuakeStudies
A photograph of women sewing felt badges outside the Christchurch City Library in Lyttelton. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
WEMO ERT Set 1 - March 2011 - Photograph 52
Images, UC QuakeStudies
A photograph looking down south down Poplar Lane from the intersection of Lichfield Street. The lane is littered with bricks from the earthquake-damaged buildings above. A car parked on the right side of the lane has also been crushed by the falling bricks. Behind the car a message reading, 'Open your eyes. Life is beautiful', has been chalked on a brick wall.