A PDF copy of pages 112-113 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'On First Looking Into Chapman's Homer'. Image: Michael Parekowhai Chapman's Homer 2011. Bronze, stainless steel. Courtesy of the artist and Michael Lett, Auckland. Photo with permission: Christchurch Art Gallery Te Puna o Waiwhetu. Photo: John Collie.
A PDF copy of a print image from phase 1 of the All Right? campaign. The image reads, "It's all right to feel lucky. Canterbury has changed a lot and we all see things a little differently. And that's all right." The image appeared in News Advertiser, The Observer, Pegasus Post and Western News on 11 March 2013.
A PDF copy of red-zoned Kaiapoi resident Barbara Townsend and Jackson's story about her life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of a story about Bob Cattermole and Joan Cattermole's post-quake stress-related deaths in 2010. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Willy and Andrew Martin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents the Rolleston-Belworthy-Mataki family's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Karen, Clive, Kirsty and Daniel Lingley Richardson's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gillian Rayner and Harry Stanton's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Dee, Marc, Nicole and Thomas Brocherie's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Jenny Barker and Pat Barker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bev Evans and Fred Evans's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Bob Hawker and Judy Hawker's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Lana, Dan, Tori, Rico and Aria McLean's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Shirley Jenkin's and Peter Jenkin's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chris Patterson and Nigel Swain's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Mick Mariner and Rose Mariner's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Chantal, Nigel, Ashleigh and Kadyn Palmer's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Gretta Morris and Brian Morris's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Kylee, Elmar, Lucien, Alijah and Ebony Vink's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A PDF copy of red-zoned Kaiapoi residents Fay, Glen and Max Harper's story about their life since the earthquakes. The story was documented by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A scanned copy of a photograph of an optical diffraction pattern produced by the He-Ne Continuous Gas Laser used in David Lockwood's MSc research at the University of Canterbury. David explains that the photograph shows "a typical optical diffraction pattern obtained from the original red laser beam arising from a grating structure formed by the alignment of a colloid under the influence of a travelling sound wave".
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 17, 19 and 23 December 2013. The advertisement reads, "Your aroha really helps. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 11, 14, 17, 19 and 23 December 2013. The advertisement reads, "You make the tough times better. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 17, 19 and 23 December 2013. The advertisement reads, "Your smile is life changing. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of a small advertisement from the All Right? 'Compliments' campaign that appeared in The Press on 4, 6, 9, 11, 14, 17 and 23 December 2013. The advertisement reads, "You've got a lot to offer. Let's remember it's often the simple things that bring the most joy." The advertisement also includes the web address of the All Right? Facebook page and encourages the viewer to cut the compliment out to keep or share.
A PDF copy of eight posters promoting the Five Ways to Wellbeing at local libraries. Each poster directs its viewer to explore a section of the library by encouraging them to reflect on different hobbies and interests, for example cooking, painting, exercise, reading or music. The first poster reads, "Want a tasty recipe for the whanau? Good food tastes even better with the ones we love. For recipe books check out 641.5!".
A PDF copy of eight updated Adshel poster designs, each depicting a different way that people can improve their wellbeing. This version of the poster series has slightly modified wording. The posters were from phase 2 of the All Right? campaign, promoting the Five Ways to Wellbeing. The Five Ways to Wellbeing are a simple, evidence-based approach to improving wellbeing, promoted by the Mental Health Foundation.
A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.
A PDF copy of six poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Making pikelets with my children after school and hearing about their day. Sarah, Ilam." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.
A PDF copy of four Adshel poster designs. Each poster features a Christchurch resident's response to the question, "What makes us feel all right?" For instance, the first poster reads, "What makes us feel all right? Spending quality tie with my family. Nicola, Aranui." Posters like these were used in Adshel bus stops around Christchurch as part of phase 3 of the All Right? campaign.