A story submitted by Francis Ganderton to the QuakeStories website.
A story submitted by Marian Parkin to the QuakeStories website.
A story submitted by Denise to the QuakeStories website.
A story submitted by Leonie to the QuakeStories website.
A story submitted by Lisa Gibson to the QuakeStories website.
A story submitted by Mrs B. to the QuakeStories website.
A story submitted by Rachel to the QuakeStories website.
A story submitted by Ashley Hitt-Schultz to the QuakeStories website.
A story submitted by Owen to the QuakeStories website.
A story submitted by Anonymous to the QuakeStories website.
A story submitted by Keryn to the QuakeStories website.
A story submitted by Bernice to the QuakeStories website.
A story submitted by Helen to the QuakeStories website.
A story submitted by Aaron Schulz to the QuakeStories website.
A story submitted by Hamish to the QuakeStories website.
A story submitted by Berwyn to the QuakeStories website.
A story submitted by H.B. to the QuakeStories website.
A story submitted by Irene to the QuakeStories website.
A story submitted by Scott to the QuakeStories website.
A story submitted by Mike Williams to the QuakeStories website.
A story submitted by Malcolm to the QuakeStories website.
A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.
A PDF copy of pages 370-371 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Orange Tree'. Photos, except sewing, by Joyce Majendie. Sewing photo by Pete Majendie.
A PDF copy of pages 74-75 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Nom Nom and Best Demo 2012'. Photo: Reuben Woods
A photograph of installations being constructed on the corner of Gloucester Street and Colombo Street for the LUXCITY event. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A PDF copy of pages 294-295 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Bus Exchange Boundary Seats'. Photos with permission from Greening the Rubble
A photograph of Crack'd for Christchurch's armchair and ottoman artworks in the Green Room garden on Colombo Street.Crack'd for Christchurch comments, "Flora and Otto in their lovely garden, made up of plants and materials salvaged from the Christchurch Red Zone."
A PDF copy of pages 216-217 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Foamapalooza'. Photos: Peter Walker, Three Chairs Photography. With permission from Volunteer Army Foundation.
A PDF copy of pages 40-41 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Temporary City Libraries'. Photo: Tim Church. With permission: Christchurch City Council.
A PDF copy of pages 64-65 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Life in Vacant Spaces HQ'. Photos: Tim Bishop and LiVS