Years after the earthquakes, Christchurch is still desperately short of theatre space. But now the city council's investment of 30-million dollars to help the Court Theatre replace its very successful temporary home in Addington, is being widely applauded.
Christchurch's historic Theatre Royal will reopen for business in November, with bookings about to open for the first show, the Royal New Zealand Ballet season of "A Christmas Carol" The 106-year old theatre has been closed for almost four years because of earthquake damage in the 2010 and 2011 earthquakes. The $40million rebuild and restoration project will be completed over the next five months and on 17 November 2014, the 'Grand Old Lady' of New Zealand theatre will reopen her doors for performances. With so few venues for performance left in the city, including the Town Hall out of commission indefinitely, the rebuild of the Theatre Royal is very good news for Christchurch audiences Chief executive Neil Cox explains the process of getting oldest Edwardian theatre in the country back in use and mounting the large scale theatrical productions it has been famous for.
Elric Hooper is a recognisable face in Christchurch theatre both on and off stage. He spent his early years with Dame Ngaio Marsh, the influential woman for whom the theatre at The University of Canterbury was named after. The theatre was damaged during the Christchurch earthquakes and is now under threat. But is it worth keeping it?
In Christchurch the Court Theatre is about to reopen, more than nine months after the earthquake ruined its inner city premises. The country's most successful professional theatre, which used to be in the 19th century gothic style Arts Centre, has moved to a shed in the suburbs.
Christchurch's Court Theatre devastated by February's earthquake has found a temporary new home - an old grain store in the suburb of Addington.
The old Ngaio Marsh theatre at the University of Canterbury was one of the many casualties of the earthquakes.The Student Association is encouraging people who performed on stage or helped out behind the scenes to buy a seat for the replacement Ngaio Marsh Theatre. Lynn Freeman talks with the UCSA president Sam Brosnahan about the project.
It's been a long road to restore Christchurch's Isaac Theatre Royal, but tonight, it will finally open its doors again. The theatre sustained considerable damage in the earthquakes of 22nd February and 13th June 2011 and continuing shakes have made the restoration particularly difficult for architects. The project architect from Warren and Mahoney, is Vanessa Carswell.
An experiment to see if the cast of a play can make friends with their audience in just an hour is the latest project by the country's only theatre company involving people who are - or have been - homeless. As part of the Auckland Fringe Festival, the Hobson Street Theatre Company is working with the Street Choir on That's What Friends Are For.: It's directed by Dr Peter O'Connor from the University of Auckland. He's worked with survivors of natural disasters like the Christchurch earthquakes to help people - especially children - work through the trauma. Lynn Freeman talks with Peter, and with one of the actors, Richard. That's What Friends Are For premieres on Tuesday at the Basement Theatre as part of the Auckland Fringe, before heading to the fringe festivals in Wellington and Dunedin.
We assess how last the earthquake has affected three major arts festivals and Christchurch's historic Repertory Theatre, and the part the arts have to play in helping the city to get back on its feet.
The new Wellington Venues Limited CEO discusses her ideas for the events scene in the capital, plus the addition of a new Christchurch Artists exhibition in the St James Theatre, which will raise money for artists affected by the earthquake
The Christchurch earthquakes caused devastating damage to many of the city’s creative spaces. But rising from the rubble has been the Isaac Theatre Royal under the watchful eye of Neil Cox. He’s directed the resurrection of one of the premiere performance spaces in the country.
Father and daughter Peter and Cait O'Connor set up the Teaspoon of Light theatre company in Christchurch after the earthquakes, working with young children in the most quake-affected schools. Lynn Freeman speaks with Peter and Cait ahead of a trip to Mexico for similar work.