A video of a dug-out soil pit on a farm near River Road in Lincoln. There is a thick layer of saturated sand between the topsoil and the subsoil where the grass roots end. The saturated soil is collapsing as a result of contractor Tony Fisher, of Fisher Agriculture Ltd, jumping lightly up and down on the edge of the pit.
A video of a dug-out soil pit on a farm near River Road in Lincoln. There is a thick layer of saturated sand between the topsoil and the subsoil where the grass roots end. The saturated soil is collapsing as a result of contractor Tony Fisher, of Fisher Agriculture Ltd, having jumped lightly up and down on the edge of the pit.
A video of contractor Tony Fisher, of Fisher Agricultural Ltd, jumping lightly up and down on the edge of a dug-out soil pit on a farm near River Road in Lincoln. There is a thick layer of saturated sand between the topsoil and the subsoil where the grass roots end. The saturated soil starts to collapse as a result of the movement.
A video of an interview with Corporal Pani Bell about his work guarding cordons at the edge of the Christchurch central city red zone. Bell talks about the progress of the Christchurch rebuild, the shrinking of the red zone, the implosion of the Radio Network House on Worcester Street, and the temporary offices which have been built for the cordon guards.
A video of a helicopter using a monsoon bucket to wash loose debris off a cliff in Redcliffs. The debris is from an earthquake-damaged building on the edge of the cliff which has had to be urgently demolished after wet weather and aftershocks made it unstable. The video also includes an interview with Brenden Winder, Red Zone Cordon and Access Manager at CERA, about the removal of the debris and the need to check other properties.
A video about the restoration of the dome of the Isaac Theatre Royal. The video includes an interview with Vanessa Carswell, Associate at Warren and Mahoney, about the dimensions of the dome. Because the dome is not a perfect circle, the dome and the canvas that cover it have to be reinstalled in exactly the same way, and the dimensions have to be measured accurately so that the new steelwork fits correctly. The video also includes an interview with art restorer Carolina Izzo about restoring the canvas covering of the dome. Izzo says that the theatre lights have burnt the edges of the canvas, and some patches have been affected by mould. She also explains the process for cleaning the artwork.