UC CEISMIC and the Shag(ged) Rock Problem
Videos, UC QuakeStudies
A presentation by Lucy-Jane Walsh and Jennifer Middendorf at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "UC CEISMIC and the Shag(ged) Rock Problem".
A presentation by Lucy-Jane Walsh and Jennifer Middendorf at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "UC CEISMIC and the Shag(ged) Rock Problem".
Slides from a presentation by Lucy-Jane Walsh and Jennifer Middendorf at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "UC CEISMIC and the Shag(ged) Rock Problem".
Dr Lucy Johnston introducing the UC CEISMIC mini-conference.
Slides from a presentation by Dr Christopher Thomson (UC Digital Humanities Programme) on "CEISMIC and the Role of a Digital Archive".
Slides from the presentation by Jill Durney (MacMillan Brown Library) on "UC CEISMIC Virtual Heritage Project: Christchurch Lost and Found".
A presentation by Dr Jen Hay at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Digital Transcription and Annotation of Earthquake Stories".
A presentation by Dr Zita Joyce at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Radio Quake: broadcasting in post-quake Christchurch".
A presentation by Dr Deirdre Hart at UC CEISMIC's contestable fund mini-conference. The presentation was titled, "Can Coastal Cities Be More Disaster Resilient?
A presentation by Dr Catherine Moran at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Communication and the Elderly: Experiences from the Canterbury Earthquakes".
Slides from a presentation by Dr Zita Joyce at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Radio Quake: broadcasting in post-quake Christchurch".
Slides from a presentation by Dr Deirdre Hart at UC CEISMIC's contestable fund mini-conference. The presentation was titled, "Can Coastal Cities Be More Disaster Resilient?
A presentation by Dr Rosemary Du Plessis at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Women's Voices: recording women's experiences of the Canterbury earthquakes".
A presentation by Dr Veronica O'Toole at UC CEISMIC's contestable fund mini-conference. The presentation was titled, 'Emotional impact of the Earthquakes of Teachers "Unsung Heroes"'.
A presentation by Dr Anne Soutter at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Reflection Collection: digitally capturing student coursework from UC's ChCh101".
Slides from a presentation by Dr Veronica O'Toole at UC CEISMIC's contestable fund mini-conference. The presentation was titled, "Emotional impact of the Earthquakes of Teachers "Unsung Heroes".
Slides from a presentation by Dr Rosemary Du Plessis at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Women's Voices: recording women's experiences of the Canterbury earthquakes".
Slides from a presentation by Dr Bernard Walker at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Building Organisational Resilience: the role of HRM in post-disaster recovery".
A presentation by Dr David Conradson at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Stories of Movement: experiences of disruption and adjustment in a post-quake city".
Slides from a presentation by Dr Anne Soutter at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Reflection Collection: digitally capturing student coursework from UC's ChCh101".
Gerard Smyth's acclaimed documentary about the Christchurch earthquakes is the story of people coping — for better or worse — with the huge physical and emotional toll that the quakes, and continuing aftershocks, inflicted on them, their homes and their city. It began as a home movie while the devastation of September was surveyed (with thanks given that no-one had been killed); but, as shooting of the recovery continued, the February quake compounded the destruction and claimed 182 lives (including their researcher and 16 colleagues at CTV).
Chimney Book takes rubble from the Christchurch earthquake, and turns it into the building blocks of a film exploring life in the quake zone. Christchurch musician Blair Parkes took bricks from his chimney — destroyed in the 22 February 2011 aftershocks — painted a letter or symbol on each, then scanned them into his computer. Sound and word form the spine of the result, which is part diary, part experimental film. Parkes explores his experiences of living in Christchurch since the quake through words like 'dust', 'memory', 'place', and a question: 'is it over?'
A presentation by Dr Bernard Walker and Rosemary Baird at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Building Organisational Resilience: the role of HRM in post-disaster recovery".
Slides from a presentation by Dr David Conradson at UC CEISMIC's Contestable Fund mini-conference. The presentation was titled, "Stories of Movement: experiences of disruption and adjustment in a post-quake city".
A Week of It was a pioneering comedy series that entertained and often outraged audiences over three series from 1977 to 1979. The writing team, led by David McPhail, AK Grant, Jon Gadsby, Bruce Ansley, Chris McVeigh and Peter Hawes, took irreverent aim at topical issues and public figures of the day. Amongst notable impersonations was McPhail's famous aping of Prime Minister Rob Muldoon; a catchphrase from a skit — "Jeez, Wayne" — entered NZ pop culture. The series won multiple Feltex Awards and in 1979 McPhail won Entertainer of the Year.
The Ballantynes' Department Store fire in November 1947 claimed 41 lives and left a lasting scar on Christchurch — the city’s biggest single disaster until the 2011 earthquake. The events of that spring day are explored in this short film which intersperses archive footage with a fictional account of workers and customers in the tailoring department as the dramas of everyday life are suddenly overwhelmed. It was directed by Aileen O’Sullivan, shot by Alun Bollinger and made with the NZ Drama School graduating class of 2002 (with music by Gareth Farr).
New Brighton beach in Christchurch: Peter Donnelly is busy creating art, art with a lifespan that can be measured in hours. Using a rake and a piece of wood, Donnelly draws elaborate artworks in the sand - more than 700 of them to date. "I bring something to life, and then its life is over, and at the end of the four hours it wants to go, it's worn out ... it just wants to be gifted, and it goes to the sea." Beautifully shot by director Peter Young, this Artsville documentary captures Donnelly both in action, and musing on the beauty of impermanence.
New Zealand television's longest running children's show turns 30 with a two hour live extravaganza — far removed from its modest, half hour beginnings back in 1981. Current hosts Charlie, Johnson and Gem are joined by a parade of past presenters who reminisce, and compete to find the show's best decade. Masterchef finalist Jax Hamilton provides snacks, and celebrities send greetings. In amongst the cupcakes, gunge, fart jokes and mayhem, the programme enters its fourth decade as an institution, watched by the children of its original audience.
The movie that won splatterking Peter Jackson mainstream respectability was born from writer Fran Walsh's long interest in the Parker-Hulme case: two 1950s teens who invented imaginary worlds, wrote under imaginary personas, and murdered Pauline Parker's mother. Jackson and Walsh's vision of friendship, creativity and tragedy was greeted with Oscar nominations, deals with indie company Miramax, and rhapsodic acclaim for newbie actors Melanie Lynskey and Kate Winslet. Time magazine and 30 other publications named it one of the year's 10 best films. Read more about Heavenly Creatures here.
Set during the 1974 Commonwealth Games, The Games Affair was a thriller fantasy series for children. Remembered fondly by many who were kids in the 70s, the story follows three teenagers who battle a miscreant professor who's experimenting on athletes with performance enhancing drugs. This first episode include some SFX jumping sheep; John Bach as a blonde, grunting villain, and a youthful Elizabeth McRae. It was NZ telly's first children's serial, the first independently produced long-form drama, and an early credit for producer John Barnett.
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...