One of the current challenges in physics-based ground-motion simulations is to refine the modeling of local site effects. These effects require a finer spatial resolution in the material modeling than that generally considered in regional-scale simulations. Because of this, empirical amplification factors are typically applied to capture these unmodeled phenomena. The ergodic nature of this approach suggests that there is room for improvement. In this study, the predictive capability of simulations is evaluated using alternative methods for capturing local site effects. In addition to the conventional empirical approach, two methods are examined that allow for more site-specific information to be incorporated: the square-root impedance method and the 1D time domain site-response analysis. The three approaches are tested using 1000+ observed ground motions from 150+ small-magnitude events (3.5 ≤ Mw ≤ 5.0), recorded at 20 strong-motion stationsin the Canterbury, New Zealand, region. These 20 well-characterized sites represent a wide range of soil conditions, including stiff gravels with Vs30 values greater than 500 m/s, and sand and silt deposits with Vs30 valuesless than 200 m/s. Multiple intensity measures are computed and prediction residuals are partitioned using mixed-effects regression to rigorously assess the relative performance of the different approaches considered. The results indicate that the benefit of using more sophisticated methods is highly dependent on the characteristics of the site. Key site parameters and trends are identified and discussed in light of the assumptions and limitations of each approach.
This paper provides a summary of initial research results investigating systematic site effects from the prediction residuals of empirical- and physics-based ground-motion models (GMMs) for small magnitude (i.e., 3.5 ≤ MW ≤ 5) active shallow crustal earthquakes in New Zealand (NZ). Advancing ground-motion predictability through physics-based GMMs is an iterative process and requires addressing fundamental questions like: Is there salient physics which has been overlooked? Which geographic regions have predictions that significantly deviate from observations and why? Which sites exhibit systematic prediction residuals and how can the attributes influencing them be identified? This preliminary study examines these questions by classifying 171 sites from the Canterbury and Wellington regions into four geomorphic categories: basin, basin-edge, hill, and valley, following the categorisation by Nweke et al. (2022). Trends in the site-to-site residuals for each geomorphic category indicate apparent differences between the four categories, with residuals for valley sites illustrating a clear dependence with the inferred fundamental site period. Computed residuals from both empirical- and physics-based GMMs also provided insight into the role of site-specific attributes vs. the different prediction methods, assisting to understand the salient causes of these residuals.
We examined the stratigraphy of alluvial fans formed at the steep range front of the Southern Alps at Te Taho, on the north bank of the Whataroa River in central West Coast, South Island, New Zealand. The range front coincides with the Alpine Fault, an Australian-Pacific plate boundary fault, which produces regular earthquakes. Our study of range front fans revealed aggradation at 100- to 300-year intervals. Radiocarbon ages and soil residence times (SRTs) estimated by a quantitative profile development index allowed us to elucidate the characteristics of four episodes of aggradation since 1000 CE. We postulate a repeating mode of fan behaviour (fan response cycle [FRC]) linked to earthquake cycles via earthquake-triggered landslides. FRCs are characterised by short response time (aggradation followed by incision) and a long phase when channels are entrenched and fan surfaces are stable (persistence time). Currently, the Te Taho and Whataroa River fans are in the latter phase. The four episodes of fan building we determined from an OxCal sequence model correlate to Alpine Fault earthquakes (or other subsidiary events) and support prior landscape evolution studies indicating ≥M7.5 earthquakes as the main driver of episodic sedimentation. Our findings are consistent with other historic non-earthquake events on the West Coast but indicate faster responses than other earthquake sites in New Zealand and elsewhere where rainfall and stream gradients (the basis for stream power) are lower. Judging from the thickness of fan deposits and the short response times, we conclude that pastoral farming (current land-use) on the fans and probably across much of the Whataroa River fan would be impossible for several decades after a major earthquake. The sustainability of regional tourism and agriculture is at risk, more so because of the vulnerability of the single through road in the region (State Highway 6).
On the 22nd of February, 2011 the city of Christchurch, New Zealand was crippled by a colossal earthquake. 185 people were killed, thousands injured and what remained was a city left in destruction and ruin. Thousands of Christchurch properties and buildings were left damaged beyond repair and the rich historical architecture of the Canterbury region had suffered irreparably. This research will conduct an investigation into whether the use of mixed reality can aid in liberating Christchurch’s rich architectural heritage when applied to the context of destructed buildings within Christchurch. The aim of this thesis is to formulate a narrative around the embodiment of mixed reality when subjected to the fragmentary historical architecture of Christchurch. Mixed reality will aspire to act as the defining ligature that holds the past, present and future of Christchurch’s architectural heritage intact as if it is all part of the same continuum. This thesis will focus on the design of a memorial museum within a heavily damaged historical trust registered building due to the Christchurch earthquake. It is important and relevant to conceive the idea of such a design as history is what makes everything we know. The memories of the past, the being of the now and the projection of the future is the basis and fundamental imperative in honouring the city and people of Christchurch. Using the technologies of Mixed Reality and the realm of its counter parts the memorial museum will be a definitive proposition of desire in providing a psychological and physical understanding towards a better Christchurch, for the people of Christchurch. This thesis serves to explore the renovation possibilities of the Canterbury provincial council building in its destructed state to produce a memorial museum for the Christchurch earthquake. The design seeks to mummify the building in its raw state that sets and develops the narrative through the spaces. The design intervention is kept at a required minimum and in doing so manifests a concentrated eloquence to the derelict space. The interior architecture unlocks the expression of history and time encompassed within a destructive and industrialised architectural dialogue. History is the inhabitant of the building, and using the physical and virtual worlds it can be set free. This thesis informs a design for a museum in central Christchurch that celebrates and informs the public on past, present and future heritage aspects of Christchurch city. Using mixed reality technologies the spatial layout inside will be a direct effect of the mixed reality used and the exploration of the physical and digital heritage aspects of Christchurch. The use of technology in today’s world is so prevalent that incorporating it into a memorial museum for Christchurch would not only be interesting and exploratory but also offer a sense of pushing forward and striving beyond for a newer, fresher Christchurch. The memorial museum will showcase a range of different exhibitions that formulate around the devastating Christchurch earthquake. Using mixed reality technologies these exhibitions will dictate the spaces inside dependant on their various applications of mixed reality as a technology for architecture. Research will include; what the people of Canterbury are most dear to in regards to Christchurch’s historical environment; the use of mixed reality to visualise digital heritage, and the combination of the physical and digital to serve as an architectural mediation between what was, what is and what there could be.
