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All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 7
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 4
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 2
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 3
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 1
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 6
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
All Right? Campaigns and Projects: #ThatTimeYouHelped Photograph 5
Images, UC QuakeStudies
A photograph of All Right? Campaign Manager Sue Turner (left), Crusaders coach Todd Blackadder (centre) and Scape Public Art Director Deborah McCormick (right). The photograph was taken at a promotional photo-shoot for #ThatTimeYouHelped. #ThatTimeYouHelped was a social media campaign created in collaboration between All Right? and SCAPE Public Art. The campaign encouraged people to reflect on the people in their lives who have helped them out, by uploading a photograph of them to Instagram or Facebook with the hashtag #ThatTimeYouHelped. Some of the best uploads were part of an installation at the 2015 SCAPE8 Public Art festival.
Why is This Real Not That? Photograph 1
Images, UC QuakeStudies
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
WEMO ERT Team Set 3 - April 2011 - Photograph 02
Images, UC QuakeStudies
A photograph of the photocopy template for the Christchurch City Council's yellow sticker. The sticker was used by the Civil Defence after the 2010 and 2011 earthquakes to indicate that a building had been inspected and that structural damage or other safety hazards had been found. The sticker states that there should be no entry to the building, 'except on essential business'. It also states that 'earthquake aftershocks present danger' and that people who enter must do so at their own risk.
WEMO ERT Team Set 3 - April 2011 - Photograph 03
Images, UC QuakeStudies
A photograph of a Christchurch City Council red sticker. The sticker was used by the Civil Defence after the 2010 and 2011 earthquakes to indicate that a building had been inspected and that serious structural damage had been found. The sticker states that there should be no entry to the building. It also states that 'entry may result in death or injury'.
QuakeStory Photo 411
Images, UC QuakeStudies
A photograph submitted by Sarndra to the QuakeStories website. The description reads, "How’s that?! A portaloo that matches the house :o) ... Opawa, April 2011.".
BeckerFraserPhotos September 2011 photograph 288
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "Liverpool Street. All that remains of the scaffolding that collapsed on June 13".
BeckerFraserPhotos February 2011 photograph 078
Images, UC QuakeStudies
Bricks that have fallen from the A and T Burt building on Ferry Road in Woolston that have been piled in a car park beside the building and enclosed in a safety fence.
BeckerFraserPhotos February 2011 photograph 197
Images, UC QuakeStudies
A sculpture of a rock climber that has been installed on the steel bracing that has been placed on the tower of the Octagon Live Restaurant (formerly Trinity Church).
BeckerFraserPhotos February 2011 photograph 077
Images, UC QuakeStudies
Bricks that have fallen from the A and T Burt building on Ferry Road in Woolston that have been piled in a car park beside the building and enclosed in a safety fence.
Bike Ride in the East Side - Photograph 42
Images, UC QuakeStudies
Damage to a house in Richmond. The foundation is all that remains of one room, and the exposed interior wall has been covered with builders' paper for protection. Weeds grow between cracks in the concrete patio. The photographer comments, "Revisiting our abandoned house. Cracked patio. The wooden floor is all that remains of a sunny living space with bifold doors, opening the house to the garden. This was so broken on 4/9/10 that it was immediately demolished".
BeckerFraserPhotos May 2013 photograph 032
Images, UC QuakeStudies
A view from Colombo Street looking towards the overhead walkway that runs between the Crossing building and Ballantynes. A 'No entry' sign stands between orange barriers that are blocking off the road. To the right is a vacant demolition site.
BeckerFraserPhotos October 2011 photograph 200
Images, UC QuakeStudies
Photograph captioned by BeckerFraserPhotos, "1116 Avonside Drive. When I took this photo I made sure that the shadow of the fence was in the photo so you know it's the house that's dramatically skewed".
BeckerFraserPhotos February 2012 photograph 0213
Images, UC QuakeStudies
A photograph captioned by BeckerFraserPhotos, "A sign for a food outlet in Gloucester Street - signs that a wider range of activities are returning to the central city. The food is the kind that demolition workers like".
Mark Lincoln Photograph 091
Images, UC QuakeStudies
The damaged Knox Church on Bealey Avenue. The brick walls have collapsed, exposing the wooden structure beneath. The photographer comments, "Bealey Avenue is open to traffic, as are many of the side streets, and the damage to buildings along this street is quite impressive and perhaps just a small taste of the damage that lies beyond the cordon ... At the Hagley Park end of Bealey Avenue lies the Knox Church. This church suffered in the first earthquake and featured in the news a fair bit at the time. It's crazy to think that all that appeared to be damaged then were some bricks that had fallen from near the roof. Now, Knox Church is all but a wooden frame holding up a roof. It's eerie to drive past this large church and be able to look straight through it to trees on the other side".
Paul and Sam Corliss's Street Art Photograph (2011:01:13 19:40:12)
Images, UC QuakeStudies
A photograph of street art at the Addington Saleyards. The text of the art work reads, "Maybe I need sumbody that can save me from the parts of myself that keep makin me crazy!".
BeckerFraserPhotos September 2010 photograph 078
Images, UC QuakeStudies
A photograph of road signs and a cone on Avonside Drive. One sign indicates that the speed limit in the area is temporarily 30 km/h. The other states that there is "No through route. Access to properties only".
BeckerFraserPhotos February 2011 photograph 443
Images, UC QuakeStudies
Plaster on the floor of the Durham Street Methodist Church that has chipped away from the walls and ceiling of the building. In the background a window that has been braced and weather proofed with timber can be seen.
Empowered Christchurch Social Media Campaigns: Census
Images, UC QuakeStudies
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? Looking at the recovery from the perspective of the eastern suburbs, it is impossible to avoid thinking of phenomenon referred to as 'Disaster Capitalism' and considering the aspects that have already become evident in the recovery process. Loss of equity and quality of life, risk transfer and other substantial shifts are taking place. We suggest that a regular mini-census should be conducted through the remainder of the recovery at intervals of 6-12 months to monitor deprivation, insurance cover (or lack of it), mortgage, home equity, and rental status. If unexpected changes identified, investigation and correction measures should be implemented. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents ."
Empowered Christchurch Social Media Campaigns: Code Compliance Certificates
Images, UC QuakeStudies
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
BeckerFraserPhotos February 2011 photograph 391
Images, UC QuakeStudies
A section of the footpath on Galbraith Avenue in Avonside that has been covered in dirt. Behind it is one of the septic tanks that were installed in front of Avonside properties to allow residents to use their toilets after the 4 September 2010 earthquake.
BeckerFraserPhotos February 2011 photograph 392
Images, UC QuakeStudies
The driveway of a section on Galbraith Avenue in Avonside that has been cracked by the 4 September 2010 earthquake. Behind it is one of the septic tanks that were installed in front of Avonside properties to allow residents to use their toilets after the earthquake.
BeckerFraserPhotos March 2011 photograph 275
Images, UC QuakeStudies
St John's Presbyterian Church on Winchester Street in Lyttelton. The ground around the church is strewn with masonry that has fallen from the church's walls and collapsed tower. The building's front door has been red-stickered and a sign that reads "No entry" is stuck to it.
Nic Johns and Mark Osborne WEMO Photograph 009
Images, UC QuakeStudies
A photograph of green and red stickers taped to the door of the Money Club Building on Manchester Street. The green sticker indicates that the building has been inspected and the red that it is unsafe to enter.
Empowered Christchurch Social Media Campaigns: Prime Minister Assurance
Images, UC QuakeStudies
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Prime Minister Assurance. Let us remember the much-quoted assurance from the Prime Minister in 2011: 'On behalf of the Government, let me be clear that no one will be left to walk this journey alone. New Zealand will walk this journey with you. We will be there every step of the way. Christchurch; this is not your test; this is New Zealand's test. I promise we will meet this test.' We call on the authorities to live up to this promise. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".