The Foundry Bar and ampitheatre areas reopened as social spaces after the earthquake.
The Foundry Bar and ampitheatre areas reopened as social spaces after the earthquake.
The Shelley Common Room, previously a social space, converted into a study space after the September earthquake.
The Shelley Common Room, previously a social space, converted into a study space after the September earthquake.
The Shelley Common Room, previously a social space, converted into a study space after the September earthquake.
Nikki Evans, Department of Social Work and Human Services, who has been researching human-animal relationships after the earthquakes.
Nikki Evans, Department of Social Work and Human Services, who has been researching human-animal relationships after the earthquakes.
Photograph captioned by Fairfax, "Cabinet Minister for Social Development, Paula Bennett in Christchurch after the September 4th earthquake".
The School of Social Work makes spaces for more computer work spaces, and also the Business and Economics college office.
A page banner promoting articles about the use of social networks in Canterbury and about the demolition of Cranmer Courts.
The School of Social Work makes spaces for more computer work spaces, and also the Business and Economics college office.
A two-page layout for a feature on Facebook, including a section on the use of social media following the Canterbury earthquakes.
A huge arm tattooed with words depicting various kinds of violence and anti-social behaviour like 'brawls', 'assault', 'drugs', rape', 'theft' etc and with the letters of the word 'HATE' on each of the four fingers, squeezes New Zealand.
Quantity: 1 digital cartoon(s).
A photograph of performance artist Audrey Baldwin sitting in her Kissing Booth at the Addington Fun Fair.
A photograph of artist Audrey Baldwin kissing a participant at the Kissing Booth perfomance at the Addington Fun Fair.
A photograph of a temporary house in Rawhiti Domain.
A photograph of a sign for Rawhiti Village Grove.
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a street of temporary housing in Rawhiti Domain.
A photograph of a lipstick print left by artist Audrey Baldwin on the Kissing Booth during her performance at the Addington Fun Fair.
A photograph of a street of temporary housing in Rawhiti Domain.
One white hard hat with a SCIRT logo at the front.
One orange High Viz vest with a SCIRT logo on the front.
A photograph of a woman standing in the entrance of a temporary house in Rawhiti Domain.
One interactive model which demonstrates how different types of pipes perform in an earthquake.
One glass trophy presented to SCIRT IST to mark winning the Jurors Favourite Category in the 2014 Canstruction Christchurch competition.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
