A photograph of Arline Grimshaw at her former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Ashleigh (left), Nigel (back), Chantal (front) and Kadyn Palmer (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Dee (left), Nicole (middle-left), Marc (middle-right) and Thomas Brocherie (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Barbara Townsend (right) and Jackson (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gretta (left) and Brian Morris (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Keith (back-right), Roisin (left), Trish (middle) and Kelly Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Willy (left) and Andrew Martin (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Mick (left) and Rose Mariner (right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Fay (left), Glen (middle) and Max Happer (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Fred (left) and Bev Evans (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lyn (left) and Tyla Carroll (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Shirley (left) and Peter Jenkins (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of the former Kaiapoi residence of Bob and Joan Cattermole (deceased). The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Bob (left) and Judy Hawker (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Kylee (left), Elmar (right) and the rest of the Vink family at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Jenny (back) and Pat Barker (front) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Claire (left) and Derek Woodward (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Gillian Rayner (right) with her father Harry Stanton (left) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Chris Paterson (left) and Helen Swain (right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Lana (middle), Dan (back-left) and the rest of the McLean family in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Daniel (back-left), Kristie (back-right), Clive (front-left) and Karen Lingley Richardson (front-right) in front of their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A photograph of Talia (left), Ky'a (right) and Luana Belworthy (back-middle-left), Nico and Ezra Mataki (front-middle), and TeTumu Rolleston (back-middle-right) at their former Kaiapoi residence. The photograph was taken by Cosmo Kentish-Barnes for Still Here, an artistic project supported by All Right?. Kentish-Barnes produced a series of photographs of exiled residents, accompanied with a first-person account of their life since the earthquakes.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Cathedral of the Blessed Sacrament Portrait'.
A photograph of a portrait of Rebecca Harris, painted by Julia Holden. The portrait was from a 'selfie' provided by Rebecca, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Sarah Anderson, painted by Julia Holden. The portrait was from a 'selfie' provided by Sarah, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Felicity Milburn, painted by Julia Holden. The portrait was from a 'selfie' provided by Felicity, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Eve Barlow, painted by Julia Holden. The portrait was from a 'selfie' provided by Eve, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Natalia Saegusa, painted by Julia Holden. The portrait was from a 'selfie' provided by Natalia, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Chris Archer, painted by Julia Holden. The portrait was from a 'selfie' provided by Chris, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of Neil Dawson, painted by Julia Holden. The portrait was from a 'selfie' provided by Neil, and was part of Julia Holden's exhibition, 'its like now'.