A photograph of Julia Holden's painting 'High Street'.
A photograph of Julia Holden's painting 'High Street'.
A photograph of a postcard depicting Julia Holden's painting 'High Street'.
A photograph of damaged buildings on High Street, taken from Lichfield Street.
A photograph taken from a cleared site between Struthers Lane and Lichfield Street, of damaged buildings and vacant building sites across the road on Lichfield Street. In the distance are High Street buildings and the old Post Office building (now housing C1 Espresso).
A photograph taken from a cleared site between Struthers Lane and Lichfield Street, of damaged buildings and vacant building sites across the road on Lichfield Street. High Street buildings and the old Post Office building (now housing C1 Espresso) can be seen in the distance.
A photograph taken from a cleared site between Struthers Lane and Lichfield Street, of damaged buildings and vacant building sites across the road on Lichfield Street. In the distance are High Street buildings and the old Post Office building (now housing C1 Espresso).
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, '167-177 High Street, Christchurch'.
A photograph of a working bee at Agropolis urban farm on the corner of High Street and Tuam Street. The working bee was part of FESTA 2014. In the background are people in high visibility gear and hard hats, working on a CityUps installation.
A photograph of Julia Holden's painting 'Cotter Building'.
A photograph of Julia Holden's painting 'Cotter Building'.
A photograph of a working bee at Agropolis urban farm on the corner of High Street and Tuam Street. The working bee was part of FESTA 2014.
A photograph of a working bee at Agropolis urban farm on the corner of High Street and Tuam Street. The working bee was part of FESTA 2014.
A photograph of Jeni Reveley at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a postcard depicting Julia Holden's painting 'Cotter Building'
A close-up photograph of a plant at Agropolis urban farm on the corner of High Street and Tuam Street. The photograph was taken during a working bee, which was part of FESTA 2014.
A close-up photograph of a flower at Agropolis urban farm on the corner of High Street and Tuam Street. The photograph was taken during a working bee, which was part of FESTA 2014.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of signs on High Street that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of signs on High Street that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
