A photograph of the installation titled Kloud at LUXCITY.
A photograph of a garden area on Colombo Street.
A photograph of the installation titled Kloud at LUXCITY.
A photograph of the LUXCITY installation Halo.
A photograph of people dancing at the Gap Filler Dance-O-Mat.
A photograph of builders preparing framing for Gap Filler's office.
A photograph of a shipping container being used as a temporary dairy.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
A photograph of the seating area at the Samo Lyttelton cafe. In the background is a view of Lyttelton Harbour.
A photograph of the interior of the Samo Lyttelton cafe. Shelves hold childrens' books and toys, a tray of condiments, and other items.
A photograph of wooden planks used in the construction of Gap Filler's temporary outdoor cinema. The boards have a crown logo painted on them.
A photograph of the LUXCITY installations Archrobatics (left) and Altitude on Manchester Street.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 24, and is part of the Crux project.
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of a chalkboard painted on the wall of a building. The chalkboard advertises upcoming Gap Filler events. A woman is chalking a message on the wall.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 42, and is part of the Crux project.
A photograph of a wooden cross erected on an empty site in Lyttelton. The cross is numbered 44, and is part of the Crux project.
A photograph of a customer in the seating area of the Samo Lyttelton cafe. On the walls of the cafe are posters advertising local events.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's first project.
A photograph of graffiti by IMK and BRAVO on a garage in Fitzgerald Avenue.
A photograph taken in March 2013 of street art in Rolleston. The artwork includes the time and date of the 22 February 2011 earthquake, and the message, "Gone but never forgotten".
A photograph of graffiti by ROAM on a house in Hulverston Drive, Avondale.
A photograph of a paste-up on a Colombo Street bus shelter. The paste-up shows a computer error message, reading, "Capitalism has crashed. Install new system?
A photograph of two shipping containers on Colombo Street. One is being used as a temporary dairy, and the other as a display space for a frame and mirror shop.
A photograph of two shipping containers on Colombo Street. One is being used as a temporary dairy, and the other as a display space for a frame and mirror shop.
