A photograph of a shipping container used as a site office on Hereford Street. In front of the container are two Port-a-loos, and chairs taken from surrounding buildings sit on the footpath to be used as a staff break area.
A plan for Greening the Rubble's Green Room garden on Colombo Street. The plan was created by Jonathan Hall and Wendy Hoddinott from Greening the Rubble.
An artist's impression of the Greening the Rubble Green Room garden on Colombo Street. The image was created by Jonathan Hall and Wendy Hoddinott from Greening the Rubble.
A photograph of Helen Campbell and Katherine O'Connor adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "September 2014. Spring is here. Grouting."
A photograph of Kathryn Innes and Katherine O'Connor working on Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Finishing edges and fine details before grouting."
A photograph of Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic while Kathryn Innes looks on.Crack'd for Christchurch comments, "September 2014. Spring is here. Grouting."
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Jennie Cooper and Jayne White."
A photograph of the partially-completed mosaic on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Bit by bit the opus goes on."
A photograph of Helen Campbell next to Crack'd for Christchurch's partially-completed armchair artwork.Crack'd for Christchurch comments, "Bit by bit the opus goes on."
A photograph of Crack'd for Christchurch's almost-finished armchair mosaic.Crack'd for Christchurch comments, "The arm in the foreground is grouted. The rest is not."
A photograph of Helen Campbell in the Green Room garden on Colombo Street. Helen has been repairing Crack'd for Christchurch's armchair and ottoman mosaics.
A photograph of Jayne White removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of members of Crack'd for Christchurch taking a break. The team have been working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jayne White, Marie Hudson, Jennie Cooper, and Helen Campbell."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of a flower which is part of Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Grout still wet around a flower. Ungrouted area to the right."
A digital copy of a concept drawing of Crack'd for Christchurch's armchair and ottoman artworks. The drawing is of an armchair and an ottoman. A written note near the bottom of the drawing reads, "Cast iron legs sources from Victorian bath tubs".
A photograph of members of Crack'd for Christchurch working to attach the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, Jayne White, and Marie Hudson."
A photograph of the partially-completed mosaic on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "The debate over opus goes on and we settle for flowing lines in the end."
A photograph of lines drawn on the arm of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "The debate over opus goes on and we settle for flowing lines in the end."
A photograph of members of Crack'd for Christchurch removing the excess adhesive from a mosaic flower on their armchair artwork.Crack'd for Christchurch comments, "...and only 59 to go."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Most of the pattern is in place, and the opus is slowly being put around each flower. From top: Jennie Cooper and Katherine O'Connor."
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Most of the pattern is in place, and the opus is slowly being put around each flower. From left: Marie Hudson, Jennie Cooper, and Katherine O'Connor."
A photograph of Marie Hudson lifting a tarpaulin to examine Crack'd for Christchurch's armchair artwork in the Green Room garden on Colombo Street. The armchair has just been lowered onto a platform in the garden.
A photograph of members of Crack'd for Christchurch working on their armchair artwork.Crack'd for Christchurch comments, "Once the opus starts to go on, things speed up. We have a September deadline for the big reveal. Here we are in July. From left: Helen Campbell, Jennie Cooper, and Sharon Wilson."
A poster advertising the launch of Greening the Rubble's Green Room on Colombo Street. The poster also advertises the unveiling of Crack'd for Christchurch's armchair and ottoman artworks.
A photograph of Jennie Cooper polishing one of Crack'd for Christchurch's mosaic flowers. The flower has been attached to their armchair artwork.Crack'd for Christchurch comments, "And each flower is polished."
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
A photograph of Crack'd for Christchurch's armchair artwork being lowered onto a platform in the Green Room garden on Colombo Street. The armchair is wrapped in a tarpaulin.
