A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'The Twisted Hop Brewery, 6 Poplar Lane'.
A crowd watching a busker perform in the Re:Start mall during the World World Buskers Festival.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Carlton Hotel, Bealey Avenue'.
A photograph of a bell from the Lyttelton Museum's collection. An antique half-round writing desk stands beside the bell.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Poplars Apartments, Madras Street'.
A photograph of Whole House Reuse item 488. This item was salvaged from 19 Admiral Way in New Brighton as part of the Whole House Reuse project.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, '181 Victoria Street (Carlton Butchery), 2009'.
A large artwork is erected on the former site of the Press building during the LuxCity event.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Shands Emporium, 88 Hereford Street'.
A photograph of a sign attached to a chair at the Canterbury Cultural Recovery Centre. The sign reads, "Look at me... But please don't walk on me!" A object from one of the collections has been laid flat on the floor and wrapped in white linen for protection.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Sammys Jazz Review Bar, 14 Bedford Row'.
A photograph of the Canterbury Cultural Recovery Centre's main floor. Signs indicate shelves containing collections from the Lyttelton Museum, Order of St John and the Canterbury Rugby Football Union.
A photograph of furniture stored at the Canterbury Cultural Recovery Centre.
A photograph of furniture stored at the Canterbury Cultural Recovery Centre.
A close-up photograph of mannequins stacked in the storage shelves at the Canterbury Cultural Recovery Centre.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Lyttelton Times Building (1906)'.
Chairs from '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Chairs from '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
A photograph tied to the security fence around Riccarton House. The photographer comments, "There were photographs all along the line of the fence - I assume it was some sort of art exhibition, but I couldn't see any signs, or information on the artist(s)".
Chairs from '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Mike Hewson's installation, "Old Public Toilets", on the site of a demolished building on Hereford Street.
A wind sculpture on Oxford Terrace, near the Re:Start mall.
Members of the UC CEISMIC team, Han Li and Lucy-Jane Walsh, find the correct position to view Mike Hewson's installation "Deconstruction" from. This artwork gives the illusion that the walkway has been removed.
Members of the UC CEISMIC team, Han Li and Lucy-Jane Walsh, find the correct position to view Mike Hewson's installation "Deconstruction" from. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Mike Hewson's installation "Deconstruction" on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
People walk down the newly re-opened Colombo Street. In the distance, Mike Hewson's installation "Deconstruction" can be seen on the walkway between Ballantynes and The Crossing. This artwork gives the illusion that the walkway has been removed.
Regan Gentry's Flour Power sculpture on Colombo Street.
