A photograph of a container of short poems printed on paper tags, for the event Emerge Poetica #5. This event was part of FESTA 2014 and included a calligraphic line of poetry floating in the Avon River, water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Emerge Poetica #5 - an installation of a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Emerge Poetica #5 - a calligraphic line of poetry by Irish poet William Yeats. The installation is floating in the Avon River by the historic mill wheel. The installation was part of FESTA 2014 and was accompanied by water calligraphy workshops and poetry readings.
A photograph of Helen Campbell and Jonathan Hall preparing to move Crack'd for Christchurch's ottoman artwork. The ottoman has been wrapped up in bubble wrap and secured to a pallet.Crack'd for Christchurch comments, "Helen Campbell and Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Jenny Cooper taking a break in front of the Crack'd for Christchurch armchair artwork. The Crack'd for Christchurch team have been working on the artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter."
A photograph of members of Crack'd for Christchurch preparing to attach one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
A photograph of members of Crack'd for Christchurch, Greening the Rubble, and Phresh Deliveries standing in front of a truck. Crack'd for Christchurch's armchair artwork has been wrapped in a tarpaulin and placed on the back of the truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces. From left: Marie Hudson, Jenny Cooper, Jonathan Hall, and Nick Johnston from Phresh Deliveries."
A photograph of Jonathan Hall, Marie Hudson, and Nick Johnston's reactions as Crack's for Christchurch's armchair is loaded onto the back of a truck.Crack'd for Christchurch comments, "Flora is uplifted from the workshop at last! You can see the relief on our faces."
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Mosaic adhesive goes on to the concrete chair (which has been sealed and primed). We also put mosaic adhesive on the back of each flower."
A photograph of students wearing high visibility vests and hard hats. The students are working on a temporary installation for CityUps, titled Antigravity. CityUps was a 'city of the future for one night only', and the main event of FESTA 2014.
One white linen tea towel with the poem ‘Stronger City’ by Gertrude Ryder Bennett, 1931, printed in black. This tea towel was produced by Lyttelton retailer 'God Save the Queen' in response to the 22 February earthquake. Rebecca Lovell-Smith owned and operated the vintage shop ‘God Save the Queen’ in Lyttelton. She lost both her home and the sh...
One print on paper of an artwork titled "There Came a Day" featuring the text "There came a day, the earth did say, I've had enough, of this fault's fray, so up it lift, a Christchurch rift, a seven point one, of rattle and tip, still here we are, too strong to split" in white and red ink on a black background.
One print on paper of an artwork titled "Build it on Jelly" featuring an image of a construction worker and steel beam in black ink standing on a molded jelly in orange ink, with the words "Build it on Jelly, By Order, Jelly City Council, Christchurch NZ".
A photograph of chalk writing on a footpath next to the Avon River, as part of Emerge Poetica #5. The text reads 'Poetica in association with FESTA, follow the stones to our floating poem..' The project was part of FESTA 2014 and included water calligraphy workshops and poetry readings.
A sign on a tent set up in the Arts car park at the University of Canterbury after the 22 February 2011 earthquake. The tents were used as temporary lecture rooms while the buildings were being checked for damage. The sign reads, "Clyde 4, ANTH 102 in E338 Drawing Room Mon 11Am, 155 Seat".
A photograph of stencilled street art on a fence beside the St Martins Road roundabout. The stencil, created by Kerry Parnell, depicts daleks and space invaders, and reads, "Now panic and freak out".
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from an angle such that the artwork gives the illusion that the walkway is transparent.
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of a temporary installation titled Orbis, which was created by students from the University of Auckland, in partnership with Twisted Hop. Orbis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary structure titled Synthesis, which was created by students from CPIT, in partnership with Dance Hall and Soda Bar. Synthesis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a temporary installation titled Orbis, which was created by students from the University of Auckland, in partnership with Twisted Hop. Orbis was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of Netta Egoz stirring a bathtub of milk before Gaby Montejo's Milk Fight event. This dairy-fuelled urban food fight was part of FESTA 2014, and was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of a temporary installation, titled Antigravity, being created by students from the University of Auckland. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of students from the University of Auckland working on a temporary installation titled Antigravity. Antigravity was part of CityUps - a 'city of the future for one night only', and the main event of FESTA 2014.
A photograph of a trailer, customised with milk 'teats' for Gaby Montejo's Milk Fight. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014. It was held at the former Convention Centre site at 100 Peterborough Street
