Maria, one of the heart stitchers outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Members of the Lyttelton community stitching felt hearts in front of the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Photographs of central Christchurch after the 2010-2012 earthquakes taken 25 February 2012 by Sean McMahon. Locations are chiefly Manchester, Saint Asaph, Cashel, Columbo and Lichfield Streets, and the Bridge of Remembrance. Images show fencing around areas closed to the public, damaged and collapsed commercial buildings, cleared sites, re-opened Cashel Street area with shops and a cafe. Source of title - Title supplied by Library Quantity: 34 digital photograph(s).
An aerial photograph of the Christchurch central city with Armagh Street in the foreground and Christ Church Cathedral in the centre.
A photograph of participants in the walk to celebrate Chinese National Day and the Moon Festival. In the foreground, there is a man holding a Chinese flag. Behind him there are two people wearing panda bear costumes. The walk was held at the Upper Riccarton Library in September 2015. It was organised by the Canterbury Migrants Centre (formerly the Christchurch Migrants Centre) and was part of the Christchurch City Council's Walking Festival.
Jacinda, a member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
Jacinda's daughter Sky, a heart stitching apprentice outside the library wearing a heart in her hair. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A photograph of five participants in the walk to celebrate Chinese National Day and the Moon Festival. Staff member Vaea Hutchen of the All Right? mental health campaign of the CDHB is wearing a tee shirt promoting the campaign. Others are wearing Chinese flags. The walk was held at the Upper Riccarton Library in September 2015. It was organised by the Canterbury Migrants Centre (formerly the Christchurch Migrants Centre) and was part of the Christchurch City Council's Walking Festival.
An aerial photograph of the Farmers car park on Gloucester Street with Victoria Park to the north and the Canterbury Provincial Council Chambers to the west.
An aerial photograph captioned by BeckerFraserPhotos, "Central city blocks bounded by Colombo Street, Hereford Street, Cashel Street, and High Street".
Photograph captioned by BeckerFraserPhotos, "Aerial view of the centre of the city, with the cathedral in the centre, and the art gallery in the foreground".
Christ Church Cathedral, Christchurch, with spire being rebuilt after the 1901 earthquake. Photographer unidentified. The nave, tower and spire of Christchurch Cathedral was completed in 1881. Work on completeing the rest of the building began in 1900. In 1902 the transcepts were finished and work started on the chancel and apse. An earthquake in 1901 cracked the upper part of the spire in two places. In this photograph which dates from late 1902/1903 (see scaffolding beyond the transcept indicating work on chancel) the upper part of the spire has been removed by Messrs Graham and Greig in preparation for replacing this section with a copper covered wooden structure. The Cathedral was completed in 1904. (Information from "Vision and Reality; Christchurch Cathedral in the Square," Colin Brown, Christchurch, 2000 and "A Dream of Spires," Ian Lochhead, Canterbury University Press, 1999, page 153.) Preparation for erecting the scaffolding was reported in the Christchurch Star 15 January 1902. The cross was replaced on the top of the new copper covered wooden section of the spire on 29 June 1903. Source of descriptive information - Notes on file print. Source of title - Title supplied by Library Quantity: 1 b&w original negative(s). Physical Description: Glass negative
A black and white historic photograph of the public viewing the 1931 election results posted on The Press building, taken ca. 1931 by The Press (Christchurch).
A black and white historic photograph of buildings in Cathedral Square, Christchurch, circa 1920s. From left to right: The Weekly Press, H M Customs, Christchurch Tramway Board/Lyttelton Harbour Board.
A black and white historic photograph of Warner's Hotel in Cathedral Square, taken in 1906.
A facsimile of an architectural drawing of St. Elmo's Courts. Architect: B. J. Ager
A black and white historic photograph of the Clarendon Hotel, prior to its 1903 reconstruction, [1902].
A black and white historic photograph of the old BNZ Building, taken from Cathedral Square, 1929.
A black and white historic photograph of the interior of Warner's Hotel, near the front desk, [1907].
A black and white historic photograph of customers shopping in T. Armstrong and Co., [ca. 1930].
A historic sketch of the Manchester Courts, seen from the corner of Manchester and Hereford Streets, [1905].
Black-and-white photograph of the Regent Theatre (then known as the Royal Exchange Building) under construction. Photograph taken c1905.
A black and white historic photograph of the interior of the dining room of the Clarendon Hotel, with two waiters in the background, [1903].
A black and white historic photograph of Father Christmas waving to crowds from a float outside Armstrong & Co., [ca. 1930].