A photograph of the outside of the building housing the As Far As Eye Can See exhibition. Posters in the window advertise the exhibition.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of an installation that forms part of the '60 Lights Market' at the LUXCITY event. Coordinators: Jeongbin Ok, Tiago Rorke, Jonathan Coates; student: Tom Hall
A photograph of a labyrinth laid out in bricks on the former site of St Luke's church.
A photograph of crowds at the LUXCITY event. The photograph shows an installation on Worcester Street, with the new Press building in the background. The installation is titled "Murmur".
A photograph of some of the craft artists who were involved in creating the As Far As Eye Can See exhibition.
A photograph taken at the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of volunteers laying bricks to create a labyrinth on the former site of St Luke's church.
A copy of the information board displayed at Greening the Rubble's Green Room on Colombo Street. The board contains information about the Green Room and Crack'd for Christchurch's armchair and ottoman artworks.
A photograph of a detail of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of an installation on the corner of Gloucester Street and Colombo Street. The installation is titled "Etch-a-Sketch", and is part of the LUXCITY event.
A photograph of the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of a group of people plaiting fabric strips to create artworks for the As Far As Eye Can See exhibition.
A photograph of two children standing next to Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of the entrance to Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets. The entranceway is made of lights on a steel frame, and leads to a painted "red carpet".
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from an angle such that the artwork gives the illusion that the walkway is transparent.
A photograph of Mike Hewson's artwork, 'Deconstruction', on the walkway between Ballantyne's and the former bus exchange building. The photograph is taken from beneath the walkway, so that the distorted perspective which enables the illusion can be seen.
A photograph of a paste-up from the Roger Sutton/Man About Town series, created by Nathan Ingram and Jemma Brown. The paste-up is titled "Running Hipster", and is on a building on the corner of Madras Street and St Asaph Street.
A photograph of members of Crack'd for Christchurch working on their armchair artwork. Reporter Mike Thorpe is in the background.Crack'd for Christchurch comments, "August 2014. Mike Thorpe and camera man filming Flora for Seven Sharp in anticipation of the launch. Only 4 weeks to go. No grout on the chair yet. From left: Jenny Cooper, Marie Hudson, and Sharon Wilson."
A photograph of members of the public examining Crack'd for Christchurch's armchair mosaic. The armchair and ottoman artworks have just been unveiled during the launch of the Green Room garden on Colombo Street.
A photograph of Melanie Oliver (Director, The Physics Room), addressing participants and spectators at Gaby Montejo's Milk Fight. This dairy-fuelled urban food fight was part of FESTA 2014, and was held on the former Convention Centre site at 100 Peterborough Street.
A photograph of stencilled street art on a fence beside the St Martins Road roundabout. The stencil, created by Kerry Parnell, depicts daleks and space invaders, and reads, "Now panic and freak out".
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of an installation on the corner of Manchester Street and Gloucester Street. The installation is titled "60 Lights Market", and is part of the LUXCITY event.
A photograph of a sign describing the earthquake memorial created on the former site of St Luke's church. The memorial is in the form of 185 pieces of stone recovered from the church.
A photograph of volunteers standing in the centre of a labyrinth they have created on the former site of St Luke's church.
A photograph from the All Right? Start With a Smile campaign. Start With A Smile was led by Canterbury Employers' Chamber of Commerce and supported by All Right?. The project encouraged Cantabrians to engage with the thousands of migrants who have moved to Canterbury since the earthquakes.
A photograph from the All Right? Start with A Smile campaign. Start with A Smile was led by Canterbury Employers' Chamber of Commerce and supported by All Right?. The project encouraged Cantabrians to engage with the thousands of migrants who have moved to Canterbury since the earthquakes.
A photograph from the All Right? Start with A Smile campaign. Start with A Smile was led by Canterbury Employers' Chamber of Commerce and supported by All Right?. The project encouraged Cantabrians to engage with the thousands of migrants who have moved to Canterbury since the earthquakes.
A photograph from the All Right? Start with A Smile campaign. Start with A Smile was led by Canterbury Employers' Chamber of Commerce and supported by All Right?. The project encouraged Cantabrians to engage with the thousands of migrants who have moved to Canterbury since the earthquakes.
