A photograph of street art on Gloucester Street near Cathedral Junction. The title of the art work is "Kristen". The artists are Askew One and Mark TMD.
A photograph of a sign attached to a chair at the Canterbury Cultural Recovery Centre. The sign reads, "Look at me... But please don't walk on me!" A object from one of the collections has been laid flat on the floor and wrapped in white linen for protection.
A photograph of Julia Holden's painting 'Blue Building' displayed on a billboard on Taranaki Street, Wellington.
A photograph of Julia Holden's painting 'Cotter Building'.
A photograph of Julia Holden's painting 'Red Zone Home 1' displayed on a billboard in Mount Eden, Auckland.
A photograph of a portrait of Sarah Anderson, painted by Julia Holden. The portrait was from a 'selfie' provided by Sarah, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of street art in Avonside. The artworks are on the walls of a derelict toilet block. The photographer believes that the artworks were created by the artist 'SGC'.
A digital copy of a pen and ink and watercolour painting by Raymond Morris, titled, 'Sammys Jazz Review Bar, 14 Bedford Row'.
A photograph of a portrait of Felicity Milburn, painted by Julia Holden. The portrait was from a 'selfie' provided by Felicity, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of a portrait of John Christoffels with his cat, painted by Julia Holden. The portrait was from a 'selfie' provided by John, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of the former site of Doug Sexton's house at 378 Oxford Terrace. Sexton's house was demolished after his land was zoned Red. Grass has begun to grow in the site.
A photograph of people (including three 'All Righties') posing with large coloured signs. The signs have various compliments on them, directed at the people of Canterbury. All Right? posted the photograph on their Facebook page on 17 December 2013 at 10:25am.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, sitting among the damaged parts of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope. In this photograph he is holding the telescope's clock drive.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, sitting among the damaged parts of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope. In this photograph he is holding the telescope's clock drive.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, looking through the lens of the Townsend Telescope. The lens is the most crucial component of the telescope. It was found unscratched and unbroken in the rubble of the Observatory tower, after 22 February 2011 earthquake. This means that the telescope can be restored. Other parts of the earthquake-damaged telescope are in the background of the photograph.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, looking through the lens of the Townsend Telescope. The lens is the most crucial component of the telescope. It was found unscratched and unbroken in the rubble of the Observatory tower, after 22 February 2011 earthquake. This means that the telescope can be restored. Other parts of the earthquake-damaged telescope are in the background of the photograph.
A photograph of Graeme Kershaw, Technician at the University of Canterbury Department of Physics and Astronomy, sitting among the damaged parts of the Townsend Telescope. The telescope was damaged during the 22 February 2011 earthquake, when the Observatory tower at the Christchurch Arts Centre collapsed. Kershaw has been given the task of restoring the telescope. In this photograph he is holding the telescope's clock drive.
A photograph of Julia Holden's painting 'Catholic Basilica' displayed on a billboard on Boulcott Street, Wellington.
A photograph of a postcard depicting Julia Holden's painting 'Lichfield Street'.
A photograph of street art above the Hereford Street entrance to the YMCA. The artwork was created by 'Paulie' as part of the RISE Festival. It depicts Nelson Mandela.
A photograph of people walking past two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of Julia Holden's egg artwork, 'A Shell of Her Former Self', in progress at her temporary studio in Sumner. The egg is to be part of the Whittaker's Big Egg Hunt.
A photograph of a portrait of Eve Barlow, painted by Julia Holden. The portrait was from a 'selfie' provided by Eve, and was part of Julia Holden's exhibition, 'its like now'.
A photograph of Julia Holden's painting 'High Street'.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to the 'Present Tense' project which was held in Gap Filler's Inconvenience Store. The project consisted of ten paintings which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of ten paintings are their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Julia Holden's painting 'Red Zone Home 2'.
