A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Future Insurability. In an article in the New Zealand Herald of 5 November 2014, the CEO of IAG refers to cooperation with the NZ Government on a strategic intent in 2011 to avoid depopulation of Christchurch. Now that the ICNZ has signalled its intention to withdraw from high-risk areas and the CCC also plans to redefine the boundaries of the city so as to exclude properties below the Mean High Water Springs. We ask whether a 'recovery' involves abandoning people once the insurance and bank sectors have managed a retreat? We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".
A photograph of graffiti by DEAK on a wall in Cashel Street.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of people watching a film projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of a film being projected on the side of a building. The outdoor cinema was part of Gap Filler's 'Film in the Gap' project.
A photograph of a placard tied to the cordon fence surrounding the Isaac Theatre Royal. The placard reads, "Why is this real not that".
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A photograph of flowers placed in road cones to commemorate the anniversary of the 22 February 2011 earthquake.
A photograph of graffiti by PWR on a wall in Edgeware Road.
A photograph of graffiti by SULK on a wall in Cashel Street.
A photograph of stencilled words on a footpath on Peterborough Street. The words read, "On Peterborough Street the houses are wonky. The ground has been pulled out from underneath them. The trick worked and the houses stayed up, but they are wonky. If you lived in them you might become wonky too".
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Prime Minister Assurance. Let us remember the much-quoted assurance from the Prime Minister in 2011: 'On behalf of the Government, let me be clear that no one will be left to walk this journey alone. New Zealand will walk this journey with you. We will be there every step of the way. Christchurch; this is not your test; this is New Zealand's test. I promise we will meet this test.' We call on the authorities to live up to this promise. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable of its residents".
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. After nearly five years of 'Emergency Response' where sustainability has been sacrificed in the interests of speed, we can assume that this phase is now behind us. We see no reason why this period should be extended until April 2016. Lessons must be learned from the past. It is time to move into the 'Restoration Phase'. Once seismic and building standards are corrected, and risks are notified, mapped and accepted, sustainability will be ensures. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents. We support option 3+."
A photograph of a decorated fence at Gap Filler's first project.
A photograph of street art on Hackthorne Road in Cashmere.
A photograph of people watching a performance during Gap Filler's first project.
A photograph of volunteers painting the Poetica Urban Poetry wall.
A photograph of the outdoor seating area of the Samo Lyttelton cafe.
A photograph of people watching a performance during Gap Filler's first project.
A photograph of a band performing at Gap Filler's first project.
A photograph of street art on Hackthorne Road in Cashmere.
A photograph of portaloos at the Village Grape in Sumner.
A photograph of a customer sitting in the Porthole temporary bar in Lyttelton.
A photograph of customers sitting outside the Porthole temporary bar in Lyttelton.
A photograph of customers sitting in the Porthole temporary bar in Lyttelton.
Painted lines on the road at the corner of Hereford and Colombo Streets, part of the Christchurch City Council's Transitional City project.
A photograph of a garden area on Colombo Street.
A photograph of a garden area on Colombo Street.
A photograph of the exterior of the Porthole temporary bar in Lyttelton.
