A photograph of buttons and other objects for sale on a market stall at the Gap Filler Fun Fair.
A photograph of the first hole of Gap Filler's Gap Golf course. Written on the wooden framing around the hole is, "Gap golf! Hole 1: Skinny Limits par 2, 6.1 m".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of a paste-up on the wall of the earthquake-damaged Knox Church. The paste-up depicts a bandaid with a speech bubble reading, "I'll kiss it better".
A photograph of students outside one of the "pods" of temporary classrooms and offices at Kirkwood Village. The pods were constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A photograph of Kirkwood Village, a cluster of temporary classrooms and offices constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A photograph of Kirkwood Village, a cluster of temporary classrooms and offices constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A photograph of Kirkwood Village, a cluster of temporary classrooms and offices constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A photograph of Kirkwood Village, a cluster of temporary classrooms and offices constructed at the University of Canterbury campus following the 22 February 2011 earthquake.
A photograph of children's play equipment on the site of the Gap Filler office. In the background, a mural reads, "The things which I have seen I now can see no more".
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A photograph of the installation, 'Cardencity', on the corner of Manchester and Welles Streets. The installation is a sign post with all signs pointing to parking spaces.
A photograph of the installation, 'Cardencity', on the corner of Manchester and Welles Streets. The installation is a sign post with all signs pointing to parking spaces.
A photograph of the interior of Smash Palace. A bus parked in the centre of the site is being used as a bar.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A photograph of the 'End of the Line' performance artwork. One of the artists is pushing a trolley along the tram lines in Cashel Mall, while two others string 'red tape' in front of it.
A black and white photograph of performers at the Songs For Christchurch launch. In the foreground, an audience member gives the thumbs up to the camera.
A photograph of Kathryn Innes working on Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "Finishing edges and fine details before grouting."
A photograph of Katherine O'Connor and Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "The very first grout goes on and suddenly the chair comes alive."
A photograph of Jayne White removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of members of Crack'd for Christchurch taking a break. The team have been working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jayne White, Marie Hudson, Jennie Cooper, and Helen Campbell."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of Sharon Wilson removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of Marie Hudson attaching a flower mosaic to Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "Marie makes it look easy."
A photograph of Helen Campbell adding grout to Crack'd for Christchurch's armchair mosaic.Crack'd for Christchurch comments, "The very first grout goes on and suddenly the chair comes alive."
