A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A photograph of architecture students in hard hats and high-visibility vests assembling the temporary bar and installation titled Tonic. The bar is part of LUXCITY.
A montage of photographs of the installation 'Tonic', created as part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
A photograph of people watching a model posing in a large inflatable ball as part of the In Your Face installation at LUXCITY.
A photograph of local artist Gaby Montejo in a cow onesie, before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of people walking among the large inflatable balls that were part of the installation titled In Your Face. The installation is part of LUXCITY.
A view after the 6.3 magnitude earthquake in Christchurch 22 February 2011.
Corner of Barbadoes and Kilmore Streets. So sad to see history die - both buildings and business.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site on Press Lane next to the Press building. The site is to be the location of Atmosphere, a large-scale installation which is part of LUXCITY.
A photograph of people at the Pavilions & Lighting Devices market at LUXCITY, taken from inside one of the temporary installations. A large-scale hanging sculpture Altitude can be seen illuminated in the distance.
A photograph of a pad of brochures for The Stadium Broadcast, a 72-hour non-stop performance by Australian artist collective Field Theory. The launch event for The Stadium Broadcast was part of FESTA 2014.
A montage of photographs of the creation of the installation 'Tonic'. The installation is part of the LUXCITY event. Tutors: Annabel Pretty, Cesar Wagner, Peter McPherson
Liquefaction silt. The photographer comments, "After the earthquake in Christchurch New Zealand, liquefaction covered the streets, but after it had risen from below ground whilst the ground was shaking it the liquid in the liquefaction wanted to drain away".
A photograph of Hera Hjartardottir and Ben Campbell from Fledge standing on a circular platform at the location of 'Sound Cone'. 'Sound Cone' is a performance space at LUXCITY, and is next to Cathedral Junction.
A photograph of 'We Won't Need Legs to Stand', an installation by Sam Eng. The installation was displayed in the window of the COCA gallery when the remainder of the building was yellow-stickered.
A photograph of The Auricle Sonic Arts Gallery before the opening of an exhibition of stories, sounds and speculative futures for Christchurch. The exhibition was presented by Sound Sky - a geo-located audioscape and mobile phone app - as part of FESTA 2014.
A photograph of Ryan Reynolds (left) and a participant in Milk Fight, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of Milk Fight participants Hera Hjartardottir, Audrey Baldwin and Brie Sherow, before the start of the event. Milk Fight was a dairy-fuelled urban food fight by local artist Gaby Montejo. The event was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is drinking from a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of local artist Gaby Montejo in a cow onesie. Montejo is bending over a large tank of milk before his Milk Fight event. Milk Fight was a dairy-fuelled urban food fight, which was part of FESTA 2014.
A photograph of a computer monitor and tablet mounted to the wall at The Auricle Sonic Arts Gallery, during the Sound Sky exhibition. The exhibition was part of FESTA 2014, and presented layers of stories, sounds and speculative futures for Christchurch.
A view after the 7.1 magnitude earthquake in Christchurch 4 September 2010.
Corner of Colombo and Byron Streets.
Given a bit of a HDR process to add some of what I was "feeling" at the time.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the public launch event for The Wet Issue by Freerange Press. Attendees are watching a water-inspired visual and sonic artwork by Olivia Webb and Noel Meek. The event was held at Space Academy as part of FESTA 2014.
A photograph of the installation 'Upon the Upland Road' on the former site of the Harbour Light in Lyttelton. The installation shows the last three lines of James K Baxter's poem, 'High Country Weather', written in the nautical flag alphabet.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A large crack in the concrete floor slab of a building in Barbadoes Street. The photographer comments, "This is a picture of the cracked concrete floor in a shop in the Christchurch CBD. I have a similar crack in my home, but I have not lifted the carpet to look".
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.
A photograph of footage of Cathedral Square playing on a number of computer monitors as part of Gap Filler's ninth project, Thinking Outside the Square. The footage was sourced from the Christchurch community and cut into an hour-long video spanning 100 years.