Wall around the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Bench in the Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Damaged buildings behind cordon fences. There are also pot holes of footpaths and the garden are overgrown.
Looking towards the Christchurch CBD, with road cones, cranes and buildings being construction in the background.
The Butterfly Gap, where landowner Robyn wanted to activate the gap where a house she owned once stood. This is a Gap Filler project, a space where the public can request to hold markets or stalls
Damage to the Cathedral of the Blessed Sacrament. Detail of the sculpture on top of the cathedral.
Damage to the Cathedral of the Blessed Sacrament. Close-up of some equipment that are being used on site.
Damage to the Cathedral of the Blessed Sacrament. Close up of shipping containers supporting the exterior wall, and in front is a pile of building rubble and a digger.
Damage to the Cathedral of the Blessed Sacrament. Flowers have been put on the fence in front of the cathedral.
Damage to the Cathedral of the Blessed Sacrament. Close up of shipping containers supporting the exterior wall, and in front is a pile of building rubble and a digger.
Damage to the Cathedral of the Blessed Sacrament. On the fence is a sign that says 'Catholic Cathedral Parish. Has moved to St Mary's Pro Cathedral. 373 Mancester Street. Visitors, Tourist and Parishioners are ALL welcome. www.christchurchcathedral.org.nz'.
Damage to the Cathedral of the Blessed Sacrament. Looking through the fence on to the side and front where shipping containers are being used to support the walls.
Damage to the Cathedral of the Blessed Sacrament. Looking through the fence on to the side and front where shipping containers are being used to support the walls. On the cordon are signs that say 'Danger. Demolition in Progress. No Entry', and 'Monitored construction alarms. Site secured. No Unauthorised entry'.
Damage to Cathedral of the Blessed Sacrament. A member of the public looks through the fences with diggers at work.
Damage to the Cathedral of the Blessed Sacrament.
Damage to the Cathedral of the Blessed Sacrament.
Damage to the Cathedral of the Blessed Sacrament. Looking through the fence on to the side and front where shipping containers are being used to support the walls, with a pile of concrete blocks next to the cathedral.
Damage to the Cathedral of the Blessed Sacrament. View from the side with diggers at work.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Damage to the Cathedral of the Blessed Sacrament. Building rubble on the cathedral grounds.
'185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Damage to the Cathedral of the Blessed Sacrament. On the fence is a photograph of what the cathedral looked like before the earthquake.
The Beat Street cafe on Barbadoes Street. Some damage to the footpath can be seen.
Information about the '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Information table about '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
Damage to the Cathedral of the Blessed Sacrament. Detail to the front entrance of the cathedral.
Look through the cordon fence, piles of building rubble, rubbish skips and shipping containers.
Damage to the Cathedral of the Blessed Sacrament. Detail to the front entrance of the cathedral.
Look through the cordon fence, a worker supervising the demoliton work on the Amuri Courts. Another worker and a digger can be seen in the background.
Information about '185 Empty Chairs', Pete Majendie's art installation commemorating those who died in the earthquake.
