A photograph of visitors to the Pavilions & Lighting Devices market at LUXCITY.
A photograph of visitors to the Pavilions & Lighting Devices market at LUXCITY.
A photograph of visitors to the Pavilions & Lighting Devices market at LUXCITY.
A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of the In Your Face installation at LUXCITY.
A photograph of Hera Hjartardottir and Ben Campbell from Fledge.
A photograph of a crowd outside the illuminated Silhouette Carnival installation at LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of the installation of Etch-A-Sketch for LUXCITY.
A photograph of the installation titled eLITE being set up for LUXCITY.
A photograph of a crowd outside the illuminated Silhouette Carnival installation at LUXCITY.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A protest sign painted on a fence shows a bulldozer labelled "Govt." driven by a woman (presumably representing Education Minister Hekia Parata) running over a sheep labelled "Chch schools", next to the words "Every time you close a school you have to build a jail - Mark Twain." The photographer comments, "Due to the earthquakes in Christchurch and parents leaving the area to give their children a quieter and more education friendly life a lot of the local schools especially in the East of Christchurch are to be closed or amalgamated. This was a decision by the government without consultation with any other authorities. Mark Twain actually said 'Every time you stop a school, you will have to build a jail'".
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
Shows a throng of sex workers rushing back following the announcement that 'Manchester Street's open!'. Prior to the Christchurch earthquake in February 2011 Manchester Street was the focus of street prostitution. On 13 April 2013 the Canterbury Earthquake Recovery Authority (CERA) announced: 'A temporary change to the cordon tonight sees Manchester Street open all the way through for the first time in over two years'.
Quantity: 1 digital cartoon(s).
Moira Fraser in front of the 'Passing Time' sculpture on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of students installing In Your Face, which is part of LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.
A photograph of people enjoying the In Your Face installation at LUXCITY.
A photograph of children enjoying the In Your Face installation at LUXCITY.
A photograph of architecture students setting up the In Your Face installation for LUXCITY.