A scanned copy of a black and white photograph depicting the inside of the Ngaio Marsh Theatre at the University of Canterbury in 1967.
A black and white historic photograph of the intersection of Colombo and High Streets, with the Fishers' building visible on the left, [ca. 1884].
A black and white historic photograph of the interior of the dining room of the Clarendon Hotel, with two waiters in the background, [1903].
White fabric artificial rose flowerhead with a ring of plastic stamens between layers of petals, plastic sepals and a short plastic covered wire stem.
A photograph of scarecrows leaning against a shed at the Gap Filler Butterfly Gap site.
A photograph of painted fence palings at the Gap Filler Butterfly Gap site.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
A photograph of volunteers painting wooden fence palings for the Gap Filler Butterfly Gap project.
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Photograph captioned by Fairfax, "Matthew Carpenter, a white-ware retailer in Christchurch, is lobbying the government for more help for businesses damaged in the earthquake".
Photograph captioned by Fairfax, "Methodist Mission staff working in storage rooms above the Methodist Church on Harewood Road. Roz Lefay writing on the white board".
Photograph captioned by Fairfax, "Matthew Carpenter, a white-ware retailer in Christchurch, is lobbying the government for more help for businesses damaged in the earthquake".
A black and white historic photograph of a group of cyclists lining up outside Warner's Hotel before a race leaving from the hotel, [May 1904].
A scanned copy of a black and white photo of two Radio U Station Managers posing back-to-back. The photograph was taken in 1985.
A black and white historic photograph of the corner of Lichfield and High Streets, ca. 1910-19, with the Fisher's Building visible on the left.
Photograph captioned by Fairfax, "Matthew Carpenter, a white-ware retailer in Christchurch, is lobbying the government for more help for businesses damaged in the earthquake".
A photograph of the Gap Filler Butterfly Gap, created on an empty site on Barbadoes Street.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A photograph of volunteers creating objects out of clay for the Gap Filler Butterfly Gap project.
A black and white historic photograph of the south face of the Lyttelton Times Building following its extension in 1902-3, viewed from Cathedral Square, [1904].
A black and white historic photograph looking along Manchester Street, showing the building of the NZ Express Company, customs, shipping and forwarding agents (ca. 1910-1929).
A black and white historic photograph of the public viewing the 1931 election results posted on The Press building, taken ca. 1931 by The Press (Christchurch).
A black and white photograph of performers at the Songs For Christchurch launch. In the foreground, an audience member gives the thumbs up to the camera.
A black and white historic photograph of the reconstruction of Armstrong & Co., a major department store on the corner of Colombo and Armagh Streets, [ca. 1930].
Black-and-white photograph of a brick building, with staff and horse-drawn carriages from the Fire Brigade of Christchurch in the foreground. Photograph taken c1906.
White fabric artificial rose flower head, with short plastic coated wire stem. Has ring of plastic stamens between layers of petals. Wire stem extends inside flowerhead. Plastic sepals
A black and white historic photograph of John Anderson and his foreman, Mr A. Kirk, standing outside the foundry at the back of the Andersons' building, [ca. 1900].
A black and white historic photograph of the south end of the Lyttelton Times Building prior to its extension in 1902-3, viewed from Cathedral Square, [ca. 1885].
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Jennie Cooper and Jayne White."