A photograph of a shipping container being used as a temporary dairy.
A photograph of the exterior of the Village Grape, a wine shop constructed in a shipping container in Sumner.
A photograph of portaloos at the Village Grape in Sumner.
A photograph of the interior of the Village Grape. The wine bar area has been set up in a marquee.
A photograph of a paver sitting on a lawn.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
Photograph captioned by BeckerFraserPhotos, "High Street - Westpac Bank building (left) and the Haldenstein's building (right) and Coffee Club (lower right)".
A photograph of boxes of broken china stored in a bedroom.Crack'd for Christchurch comments, "May 2011, Crack'd has been going for a month. The china begins to collect in our spare room. It often arrived covered in liquefaction and broken glass, food and mud, and it was incredibly bulky. It had to be cleaned, sorted, but not broken down, before it was stored."
A technical drawing of Crack'd for Christchurch's armchair artwork. The drawing includes height and width measurements for the back of the chair.
A photograph of members of Crack'd for Christchurch working in their workshop. A number of mosaics of flowers and leaves have been laid out on the table in front of them. Boxes of broken china are organised on the shelf behind.Crack'd for Christchurch comments, "Back at the workshop, flower making continues. You can see a table covered with flower motifs, looking amazing. We had to make the flowers at home in the evenings as we all worked during the day. After much trial and error our flower experts (Helen, Sharon, and Jennie) came up with a clever way to attach the tiny pieces to mesh, so they could be transferred to the chair easily. From left: Sharon Wilson, Helen Campbell, and Shirley Walden."
A photograph of members of Crack'd for Christchurch in their workshop. A number of mosaics of flowers and leaves have been laid out on the carpet in front of them. In the background there are boxes of broken china and furniture stacked in a pile.Crack'd for Christchurch comments, "Early November 2013. Last day for Shirley Walden who is leaving the city. From left: Helen Campbell, Shirley Walden, and Sharon Wilson. We miss you Shirley."
A photograph of Marie Hudson in Crack'd for Christchurch's workshop. Behind her, boxes of broken china have been stacked on a shelf. Hudson is wearing painters overalls and rubber gloves, and is holding a teacup.Crack'd for Christchurch comments, "The famous grey overalls. This all we would see Marie in for the next year."
A photograph of the crowd during the launch of the Green Room garden on Colombo Street.
A photograph of a sign in the back windscreen of a car. The sign reads, "Crack'd for Christchurch. Do you have broken china? Give it new life in our unique public mosaic in our new city. Be part of it."
A photograph of Marie Hudson opening a box of broken china in a garage. Hudson is wearing painting overalls.Crack'd for Christchurch comments, "August 2013. Moving into our new inner-city workshop...on the 2nd storey of a quake-damaged building. We could see daylight through the walls in places."
A photograph of a member of Crack'd for Christchurch adding a piece of china to a half-finished mosaic design.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A close-up photograph of a mosaic paver made from pieces of broken china.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A photograph of a half-finished mosaic paver sitting on a table.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A photograph of an ungrouted mosaic paver sitting on a table.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A photograph of a paver sitting on a lawn.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A photograph of a Jonathan Hall transferring Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Jonathan Hall getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Helen Campbell winding a winch to pull Crack'd for Christchurch's ottoman artwork onto a trailer.Crack'd for Christchurch comments, "Helen Campbell getting Otto ready for his trip to meet Flora at their final destination."
A photograph of Jennie Cooper serving lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork.
A photograph of several half-finished mosaic designs sitting on a table. Pieces of broken china are scattered around the mosaics.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street. You can see the paper plan folded to the right."
A photograph of children running across the site of Gap Filler's 'Film in the Gap' project. On the wall behind them is a chalkboard advertising upcoming events.
A photograph of a shipping container being used as a temporary dairy.
A photograph of a pianist playing a painted piano. The piano is on the site of Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
A photograph of a temporary structure titled ING being installed for CityUps - a 'city of the future for one night only', and the main event of FESTA 2014. ING was created by students from Unitec.
A photograph of a paver sitting on a lawn.Crack'd for Christchurch comments, "As a trial we made pavers for the temporary Bus Exchange on St Asaph Street."
A photograph of a woman reading poetry to an audience. She is standing in front of the Poetica Urban Poetry wall.
A photograph of Speakers' Corner, an event that gathered citizens, architects, urbanists, developers and government officials to The Commons to speak about the importance of flexible and temporary spaces in the creation of cities. Speakers' Corner was part of FESTA 2014 and supported by Athfield Architects.
