A black and white historic photograph of the corner of Lichfield and High Streets, ca. 1910-19, with the Fisher's Building visible on the left.
A black and white historic photograph looking along Manchester Street, showing the building of the NZ Express Company, customs, shipping and forwarding agents (ca. 1910-1929).
A black and white historic photograph of the public viewing the 1931 election results posted on The Press building, taken ca. 1931 by The Press (Christchurch).
A photograph of members of Crack'd for Christchurch attaching one of the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "Jennie Cooper and Jayne White."
A photograph of street art by the DTR crew at Waltham Park and Pool. The artwork depicts white and green tag writing, and the DTR Crew's signature below it.
The aisle of 'The Night Club', Gap Filler's temporary cinema, painted onto the gravel of the vacant space. Currently it is white, but it will be painted red before opening time.
A black and white historic photograph of buildings in Cathedral Square, Christchurch, circa 1920s. From left to right: The Weekly Press, H M Customs, Christchurch Tramway Board/Lyttelton Harbour Board.
A photograph of street art on Dyers Pass Road at the Silvan Salvage wood and demolition yard. The artwork shows tag writing which says "The Silvan Salvage" in white letters and signed by Mesr.
The furniture for the Words of Hope project, recycled or found by CPIT students. The furniture has been painted white and will serve as a canvas for words of hope written by the Christchurch public.
The furniture for the Words of Hope project, recycled or found by CPIT students. The furniture has been painted white and will serve as a canvas for words of hope written by the Christchurch public.
A photograph of members of Crack'd for Christchurch working to attach the flower mosaics to their armchair artwork.Crack'd for Christchurch comments, "From left: Jennie Cooper, Helen Campbell, Jayne White, and Marie Hudson."
Photograph captioned by BeckerFraserPhotos, "Kilmore Street on the left. The red-sided building is 818 Colombo Street. The white-sided building with the four rows of square windows is 115-119 Kilmore Street across Colombo Street".
A photograph of performers dressed in white hazmat suits. Together they were The Bouffante Cart for the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of Jayne White removing excess adhesive from between the tiles of a flower mosaic. The flower mosaic is part of Crack'd for Christchurch's armchair artwork.Crack'd for Christchurch comments, "A tedious process."
A photograph of performers dressed in white hazmat suits. Together they were The Bouffante Cart for the Canterbury Tales procession. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of three performers dressed in white hazmat suits. Together they were The Bouffante Cart for FESTA's Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of three performers dressed in white hazmat suits. Together they were The Bouffante Cart for FESTA's Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A black and white historic photograph of the Clarendon Hotel on the corner of Oxford Terrace and Worcester Street. In the foreground is the Scott Memorial statue made by Scott's wife Kathleen Scott and unveiled in 1917.
A photograph of three performers dressed in white hazmat suits. Together they were The Bouffante Cart for FESTA's Canterbury Tales event. Canterbury Tales was created by Free Theatre Christchurch, and was the main event of FESTA 2013.
A photograph of the badly-damaged buildings on the corner of High Street and Tuam Street. The corner has been cordoned off and fallen bricks lie behind the fences. Stark, white mannequins can be seen in the windows.
A photograph of an access hole in the middle of a road in the Horseshoe Lake District which has raised above the surface of the road. White spray-paint and a road cone have been used to alert drivers of the uneven surface.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Mere Peawini. The caption reads, "Te reo Māori is just who I am".
A photograph of a mural on the side of Embassy on Colombo Street. The word "Embassy" has been incorporated into the mural in bold white letters. The photographer believes that the mural was created by Wongi "Freak" Wilson, Ikarus, and Yikes.
A photograph of Jayne White preparing lunch for the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into winter."
A photograph of organisers of LUXCITY on the corner of Manchester Street and Gloucester Street. A site hazards board is leaning against a white van, in front of students in high-visibility vests who are setting up the Pavilions & Lighting Devices market.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ramon Pink. The caption reads, "Ko tōku reo: It's from my tupuna, it's personal, it's spiritual".
A photograph of a sign attached to a chair at the Canterbury Cultural Recovery Centre. The sign reads, "Look at me... But please don't walk on me!" A object from one of the collections has been laid flat on the floor and wrapped in white linen for protection.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioner Aaron Hapuku with his daughter Kaahu. The caption reads, "Ko au, ko koe, ko tātou".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Kaylee Mills. The caption reads, " Te reo Māori opens my mind to new concepts and gives me a sense of belonging".
A photograph of Jayne White delivering coffees to the Crack'd for Christchurch team. The team are working on their armchair artwork in a garage. In the background, mosaic flowers have been laid on the ground. A table with tea and coffee is sitting to the right.