A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of a paste-up on a wall on Peterborough Street. The paste-up depicts an excavator picking up demolition material, with a speech bubble reading, "Nom nom".
A photograph of the construction of Illusions taking place on an empty site on Gloucester street. The installation is part of LUXCITY.
A photograph of a decorated fence. A sign on the fence advertises Gap Filler's first project. Behind the fence, an excavator is demolishing a building on Colombo Street.
A photograph of a vacant site on Gloucester Street. This is to be the location of Illusions, a large-scale installation which is part of LUXCITY.
A photograph of the installation titled Murmur being set up on the edge of Cathedral Square. The installation is part of LUXCITY.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission, CERA Draft Transition Recovery Plan. Seismic Risk. One thing we can learn from the past is that seismic risk in Canterbury has been underestimated before the earthquakes struck. This is confirmed in a report for EQC in 1991 (paper 2005). It is also the conclusion of the Royal Commission in the CTV report. A number of recommendations have been made but not followed. For example, neither the AS/NZS 1170.5 standard nor the New Zealand Geotechnical Society guidelines have been updated. Yet another recovery instrument is the Earthquake Prone Building Act, which is still to be passed by Parliament. As the emergency response part of the recovery is now behind us, we need to ensure sustainability for what lies ahead. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of a temporary installation titled Etch-A-Sketch. The installation is part of LUXCITY.
A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of architecture students and visitors at the In Your Face installation, which is part of LUXCITY.
A photograph of a vacant site which is to be the location of the LUXCITY installations Tonic and Murmur.
A photograph of an architecture student assembling the temporary bar and installation titled Tonic, which is part of LUXCITY.
A photograph of large fabric balloons being tied together as part of the eLITE installation for LUXCITY.
A photograph of a young visitor being lifted up to view the In Your Face installation at LUXCITY.
A photograph of the installation titled In Your Face on Gloucester Street, which is part of LUXCITY.
A photograph of an acrobat practicing a performance for 'Sound Cone'. The performance is part of LUXCITY.
A photograph of a crowd enjoying a live band in the 'Sound Cone' space at LUXCITY.
A photograph of people creating silhouettes inside one of the tent-like sculptures of Silhouette Carnival at LUXCITY.
A photograph of volunteers painting a pathway in Gap Filler's temporary outdoor cinema on the corner of Madras and St Asaph Streets.
A photograph of an architecture student assembling the temporary bar and installation titled Tonic, which is part of LUXCITY.
A photograph of people gathered in front of the temporary light installation titled Etch-A-Sketch.
A photograph of people transporting materials and props for the 'Sound Cone' project, which is part of LUXCITY.
A photograph of visitors to LUXCITY in front of the large-scale installation titled Etch-A-Sketch.
A photograph of Mike Hewson's installation 'Homage to the Lost Spaces' on the earthquake-damaged Cranmer Courts building.
A photograph of students from the Student Volunteer Army and Entré with a sign reading, 'Churchill Park'.
