A view down Cashel Street from the Bridge of Remembrance, showing earthquake damage to several buildings along Cashel Mall. In the background the Hotel Grand Chancellor can be seen, a Christchurch hotel that was badly damaged in the February 2011 earthquake. The collapse of a key supporting shear wall caused the building to visibly lean to one side.
An image from a Navy Today April 2011 article titled, "Earthquake!". The image is of a Unimog truck disembarking from the HMNZS Canterbury via a side ramp in the early evening of 22 February 2011. The truck was draped in camouflage netting in preparation for a planned field exercise. The exercise was cancelled due to the earthquake.
A view down London Street in Lyttelton, looking east from Canterbury Street. To the left, the damaged Volcano Cafe can be seen, with bricks from the side wall still on the road and wire fencing around the building. A road sign reading, "Road closed" has been placed in front of the street ahead.
A photograph of members of the Wellington Emergency Management Office at a graduation ceremony in the Wellington Town Hall. The volunteers were awarded certificates of appreciation at the ceremony, for their work in the emergency response to the 22 February 2011 earthquake in Christchurch.
A photograph of Ryan Reynolds demonstrating to a child how a large-scale puppet titled The Knight works. The puppet was created by Free Theatre Christchurch for Canterbury Tales, which was the main event of FESTA 2013. It is on display for the Meet the Puppets event in Cathedral Square.
An attendee of the 2011 United States New Zealand Partnership Forum outside the Christchurch Art Gallery. In the background, members of Civil Defence have gathered after an aftershock hit during one of their briefings. The Christchurch Art Gallery served as the headquarters for Civil Defence after the 22 February 2011 earthquake.
A sign on a tent set up in the Arts car park at the University of Canterbury after the 22 February 2011 earthquake. The tents were used as temporary lecture rooms while the buildings were being checked for damage. The sign reads, "Clyde 4, ANTH 102 in E338 Drawing Room Mon 11Am, 155 Seat".
A view down Maling Street in Avonside showing damage to the road surface and the footpath that has resulted from the 4 September 2010 earthquake. Beside the footpath the blue lids of septic tanks can be seen. These tanks were installed in front of Avonside properties to allow residents to use their toilets after the earthquake.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the wall of this building.
A photograph of the interior of the partially-demolished Odeon Theatre. The top of the walls have been demolished, and a nearby building on Manchester Street is visible in the background. Elephants have been painted on the closest wall of this building.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of ten paintings are their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Rebecca Harris voting for her top five favourite paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Nikki Wallace at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Catherine Morganti at Gap Filler's Inconvenience store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Sarah Sutherland at Gap Filler's Inconvenience Store, standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing beside their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
Photograph captioned by BeckerFraserPhotos, "People at the cordon on the corner of Durham and St Asaph Street, soldiers watching by. In the background is the Environment Court building at 83 Armagh Street, formerly the Canterbury Society of Arts. This building was added to the CERA demolitions list on 5 March 2012".
A photograph of installations being constructed on the corner of Gloucester Street and Colombo Street for the LUXCITY event. In the foreground is the installation titled "In Your Face", and to the right is the installation titled "Etch-a-Sketch".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ruawhiti Pokaia with his wife Marisa. The caption reads, "Ko te reo Maori te manawa o toku ahua. The Māori language is the heart of my identity".
A photograph of staff member Vaea Hutchen from the All Right? mental health campaign of the CDHB standing behind a table of posters and brochures from the campaign. The photograph was taken at the Health Day at the Pa event held at Tuahiwi Marae in August 2015.
An aerial photograph of the Christchurch central city looking over the Tuam and Durham Streets intersection. The photograph has been captioned by BeckerFraserPhotos, "Tuam Street is the most prominent street in this photograph. Durham Street runs across the foreground, and St Michael of all Angels is in the bottom right corner".
