Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly before 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
A photograph of Jenny Cooper taking a break in front of the Crack'd for Christchurch armchair artwork. The Crack'd for Christchurch team have been working on the artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter."
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
Photograph captioned by Fairfax, "Christchurch Earthquake. Christchurch was rocked by a large aftershock shortly after 8am this morning. Linemen cutting power to a damaged line outside an old historic building on the corner of Montreal Street and Moorhouse Avenue which will have work done to it to try and save as much as they can".
A photograph of members of the Wellington Emergency Management Office at a graduation ceremony in the Wellington Town Hall. The volunteers were awarded certificates of appreciation at the ceremony, for their work in the emergency response to the 22 February 2011 earthquake in Christchurch.
Police and army personnel at a cordon checkpoint near the Casino. An armoured vechicle is parked beside the cordon. The photographer comments, "The army are doing a fine job manning the cordon around the city centre. It must be pretty dull work and the weather isn't that flash at the moment. It's still surreal to see armed vehicles guarding entrances to the city though".
Photograph captioned by Fairfax, "Aftermath of the earthquake in Christchurch where the cleanup has begun. Teams of building inspectors gathered at the Linwood Service Centre before heading into the eastern suburbs en masse. Gary Marshall, left, building inspector from Napier, and Kent Wilson, City Council planner work at a property on Dallington Terrace".
Damage to a house in Richmond. The brick wall is badly cracked and twisted, and some bricks have fallen, exposing the lining paper and framing below. The driveway is cracked and covered in liquefaction. The photographer comments, "These photos show our old house in River Rd and recovery work around Richmond and St Albans. Does that wall look straight to you?
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The foreground of the photograph shows a blue temporary water supply pipe and markings spray painted on the footpath in preparation for repair work. The fence has a home made sign painted with the Fulton Hogan (FH) logo satirized to ...
One landscape colour digital photograph taken on 28 April 2012 looking south from Cunningham Terrace, Lyttelton. The photograph shows a homemade figure of Humpty Dumpty with a bandaged head sitting on a fence on top of a retaining wall awaiting repair. Contractor involved in repair work The retaining walls above and below Cunningham Terrace wer...
One landscape colour digital photograph taken on 1 March 2011 showing the road between Franklin and Queenstown with an electronic road work sign depicting the words 'Kia Kaha Christchurch'. People all around New Zealand participated in gestures of support for Christchurch following the 6.3 magnitude earthquake on 22 February 2011. In Queenstown...
One landscape colour digital photograph taken on 1 March 2011 showing the road between Franklin and Queenstown with an electronic road work sign depicting the words '12.51pm 2 minutes silence'. People all around New Zealand participated in gestures of support for Christchurch following the 6.3 magnitude earthquake on 22 February 2011. In Queens...
In collaboration with Melbourne sound artist Malcolm Riddoch, the original recording has also been turned into an audio work entitled "Body Waves", which accentuates the lower frequency harmonics at a venue to create a piece that goes beyond the auditory system and can be felt in the body. This piece has been performed several times, including in New Zealand, Australia and Slovenia. Listen to it here: https://soundcloud.com/stanier-black-five/body-waves-i
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
Photograph captioned by Fairfax, "Christchurch CBD was 'yarn-bombed' during the weekend using yarn and fabric pieces to brighten public areas and earthquake-affected spaces. Visitor Ann Rees and her husband Bernard from South Wales said when looking at the yarn-bombed busts at the Arts Centre that it didn't appear like the work of vandals, but looked quite homely and warm".
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A sculpture titled 'Passing Time' on the corner of St Asaph Street and Madras Street. 'Passing Time' was installed outside the CPIT Building for the 6th SCAPE (a contemporary public art programme in Christchurch) a few days prior to the 22 February 2011 earthquake. The work features twisting boxes depicting each year between 1906 (the founding of CPIT) and 2010 (the date of the sculpture's production).
A digitally manipulated image of Michael Parekowhai's sculpture 'On First Looking into Chapman's Homer' on Madras Street. The photographer comments, "This is the work of New Zealand artist Michael Parekowhai titled 'On First Looking into Chapman's Homer'. There are two bronze pianos and a very dominant looking bronze bull on each".
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "Finally, the mess outside Coffee Culture on High Street has been cleared and demolition work will complete what the earthquake began. The red containers in the background are Fletchers containers, servicing the Hotel Grand Chancellor deconstruction".
A photograph of street art on the side of the Manchester Street parking building, seen from Hereford Street. The artists are Chris Finlayson and Dean Blundell. The art work depicts a tram, a tank, a boat and other unusual vehicles parked in the parking building.
A photograph of people chatting and giving written feedback about the proposed All Right? Campaign. The poster on the table asks "What are your first impressions?" and "How might you use this in your work with the community?". The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
A photograph of Hon Nicky Wagner (left) and another person giving written feedback about the proposed All Right? Campaign. The poster on the table asks "What are your first impressions?" and "How might you use this in your work with the community?". The photograph was taken at the All Right? Campaign Launch at the Pallet Pavilion.
A photograph of people gathered around Julia Morison's public sculpture, titled Tree Houses for Swamp Dwellers, during the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work and took place on site.
A photograph of artist Julia Morison talking to another woman at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
A photograph of FESTA director Jessica Halliday (left) and artist Julia Morison at the event Small Rooms for Open Spaces, which was part of FESTA 2013. The event was an opportunity for the public to hear more about Morison's work Tree Houses for Swamp Dwellers and took place on the site of the artwork.
