A timeline for the Recovery Strategy.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? We believe that, as regards residential recovery, monitoring should extend to code compliance certificates. According to figures published in 2014, only factions of repairs/rebuilds are completed with the issue of a code compliance certificate. To conclude the work to the required standard, someone must pay for the code compliance. Leaving things as they are could have serious negative consequences for the recovery and for the city as a whole. We suggest an investigation of number of outstanding code compliance certificates and that responsible parties are made to address this outstanding work. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents."
A sign on the gate of a building on St Asaph Street. The sign reads, "Let us in now to save building and business. Do not demolish".
A photograph of the Canterbury Cultural Recovery Centre's main floor. Signs indicate shelves containing collections from the Lyttelton Museum, Order of St John and the Canterbury Rugby Football Union.
A photograph of the Canterbury Cultural Recovery Centre's main floor, taken in August 2013. There are St John's uniforms hanging from a clothes rack at the end of one of the stacks.
A photograph of the Canterbury Cultural Recovery Centre's main floor. A notice board displays information for Lyttelton Museum staff. There are St John's uniforms hanging from a clothes rack in the foreground.
A photograph of material from the Lyttelton Museum's collection being stored on the Canterbury Cultural Recovery Centre's main floor. The collection includes framed pictures and maps, and Navy memorabilia.
A photograph of CEISMIC Digital Content Analyst Alexandra King and the Canterbury Cultural Recovery Centre intern, Moya Sherriff, discussing the collections. In the background is material from the Kaiapoi Museum's collection.
A photograph of stuffed birds in the stacks of the Canterbury Cultural Recovery Centre. Writing on the shelf reads "Caution, stuffed birds may contain arsenic - wear gloves and mask".
A photograph of stuffed birds in the stacks of the Canterbury Cultural Recovery Centre. Writing on the shelf reads "Caution, stuffed birds may contain arsenic - wear gloves and mask".
A graph showing economic recovery in Canterbury.
An infographic showing aspects of the recovery.
An infographic showing business recovery in Christchurch.
A photograph of a temporary Recovery Assistance Centre set up in the Sydenham Community Centre on Hutcheson Street. To the right, a line of portaloos can be seen.
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A time-line titled, 'The road to recovery'.
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Earthquake Recovery Minister Gerry Brownlee holding a jackhammer on Kingsford Street in Burwood, as part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT).
Earthquake Recovery Minister Gerry Brownlee handling a jackhammer on Kingsford Street in Burwood, as part of the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT).
Members of the recovery team outside the Registry Building.
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A photograph of SPCA Canterbury Education Officer Jasmine Lewis and an animal attendant sorting through paperwork for animals which are being relocated after the 22 February 2011 earthquake.
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A page banner promoting a liftout titled, "Earthquake recovery update".
A graph breaking down projected government spending on earthquake recovery.
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