A photograph of Nikki Wallace at Gap Filler's Inconvenience Store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Catherine Morganti at Gap Filler's Inconvenience store, standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Sarah Sutherland at Gap Filler's Inconvenience Store, standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Johnny McFarlane of Beca and Jessica Halliday of FESTA in the Christchurch Transitional Cathedral, otherwise known as the Cardboard Cathedral. A tour of the Cathedral took place as part of FESTA 2013, which included a talk by Johnny McFarlane about project management of transitional architecture.
A photograph of two large signs that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.
A photograph of visitors to Gap Filler's Inconvenience Store standing beside their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Karuna Thurlow with her sister Harikoa Bronsdaughter-George. The caption reads, "He oraka wairua, he oraka tinana, he oraka iwi hoki".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Ruawhiti Pokaia with his wife Marisa. The caption reads, "Ko te reo Maori te manawa o toku ahua. The Māori language is the heart of my identity".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of kapa haka practitioners Puamiria Parata-Goodall and her mother Reihana (Aunty Do) Parata. The caption reads, "As a whānau, when we haka together, we learn together".
A digital copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Maraea Peawini. The caption reads, "Ko tooku ake reo, ina te ora o te tangata nei. My reo is what exhilarates me, my life essence".
A digtial copy of a poster from the Te Waioratanga project of the All Right? campaign. The poster features a black and white photographic portrait of Mairehe Louise and Te Aowharepapa Tankersley. The caption reads, "Ko te reo Māori tōku oraka pai. The Maori language is the foundation of my wellbeing".
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a temporary installation titled Highlight in the Re:START mall car park on Cashel Street. There are images projected onto the sides of the installation. Highlightwas created by students from Unitec Architecture Department for Canterbury Tales - a carnivalesque procession which was the main event of FESTA 2013.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
Eight white corflute boxes of sediment samples from the borehole drilled adjacent to the Canterbury Museum Rolleston Avenue facade following the 22 February 2011 earthquake. Project number 52160, Bore hole BH02 These sediment samples are from machine drilled borings taken from the land near the Rolleston Avenue facade of Canterbury Museum. The ...
The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.
The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.
The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.
The photograph was taken at Street Talk, a Tape Art residency held from 6 - 9 March 2014. Street Talk was a collaborative project between All Right?, Healthy Christchurch and Tape Art NZ that had Christchurch communities create large tape art murals on the south wall of Community and Public Health.
A photograph of signs on High Street that are part of Signs of Things to Come. This was a wayfinding project by Generation Zero and Diadem, for FESTA 2014. The signage gives directions to key central city and FESTA locations, and compares the current and future potential of transport in Christchurch.