A photograph of a line of shipping containers protecting Main Road from rockfall. Several of the containers have covers printed with artworks.
A photograph of a small wooden hut at the entrance to the Ministry of Justice car parks.
A photograph of a small wooden hut at the entrance to the Ministry of Justice car parks.
A photograph of plantings along a car park border in Lichfield Street.
A photograph of seating at the temporary bus exchange on Lichfield Street.
A photograph of banners hung from a rotary washing line, advertising the opening night of Gap Filler's Dance-O-Mat.
A photograph of a turbaned man sitting on top of a pillar at the Songs For Christchurch launch.
A photograph of Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of a temporary house in Rawhiti Domain.
A photograph of volunteers working at the Fitzgerald Avenue Community Garden.
A photograph of a line of shipping containers protecting Main Road from rockfall. Several of the containers have covers printed with artworks.
A photograph of a model city at the Rebuild Central office on Lichfield Street. The model was created by members of the public as part of the Christchurch City Council's Transitional City consultation project.
A photograph of Mike Hewson's artwork, 'Government Life Suspension', on the side of the former Chancery Arcade.
A photograph of an architecture student making adjustments to the installation titled Halo at LUXCITY.
A photograph of a man and a child laying concrete at the site of the Gap Filler Community Chess project.
A photograph of people watching a musician perform at the Lyttelton Petanque Club.
A photograph of students setting up the Pavilions & Lighting Devices market for LUXCITY.
A photograph of a sign for Rawhiti Village Grove.
A photograph of Mike Hewson's installation 'View from the Studio' in Re:Start Mall.
A photograph of visitors sitting on the She Chocolat bus near the Team Tensile installation during LUXCITY.
A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a bus stop timetable.
A photograph of members of the Kaiapoi Menzshed group standing in front of the stands they have built for an outdoor art gallery.
A photograph of a performer in the Free Theatre performance of 'The Earthquake in Chile'. The performance is taking place in St Mary's Square.
A photograph of performers in the Free Theatre performance of 'The Earthquake in Chile'. The performance is taking place in St Mary's Square.
A photograph of performers in the Free Theatre performance of 'The Earthquake in Chile'. The performance is taking place in St Mary's Church.
A photograph of performers in the Free Theatre performance of 'The Earthquake in Chile'. The performance is taking place in St Mary's Church.
A photograph of part of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of a paste-up depicting Roger Sutton, the CEO of CERA, with a band-aid over his mouth; Warwick Isaacs, the Deputy Chief Executive of CERA, with hearing protection over his ears; and Jerry Brownlee, Minister for Canterbury Earthquake Recovery, with a blindfold over his eyes. The paste-up has been stuck on a wall.
A photograph of a line of shipping containers protecting Main Road from rockfall. Two of the containers have covers printed with artworks. The remains of a house are suspended above the collapsed cliff.
