A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A member of the Lyttelton community who was given a felt heart outside the library. The felt hearts were a healing outlet during the Canterbury earthquakes. The goal was to create beauty in the midst of chaos, to keep people's hands busy and their minds off the terrifying reality of the earthquakes, as well as to give a gift of love to workers and businesses who helped improve life in Lyttelton.
A CERA information sign on the fence in the Cathedral Square placed to provide information for the public about the buildings seen from Cathedral Square. This one says "BNZ Building: This is a dangerous building. The demolition will begin in the New Year. Once the demolition begins walking access will not be able to continue into Cathedral Square. Plans are currently underway to retrieve tenants' essential items".
People walk along Tuam Street carrying bags and boxes. Brick dust covers the street where fallen bricks have been cleared, and on the left emergency tapes cordons off Manchester Street. The photographer comments, "This was taken shortly after the 4th September earthquake. Police allowed us free access past the cordon and simply advised us to watch out for falling masonry. The access situation was much different after the February aftershock".
A police officer talks to a cyclist at a cordon checkpoint near the Casino. An armoured vechicle is parked beside the cordon. The photographer comments, "The army are doing a fine job manning the cordon around the city centre. It must be pretty dull work and the weather isn't that flash at the moment. It's still surreal to see armed vehicles guarding entrances to the city though".
A web image of a poster from 'Local Colour'. The image features Carlo and reads, "Christchurch still has a strong sense of home. It's about the people not the place". 'Local Colour' was a campaign by All Right? in collaboration with photographer Neil Macbeth, which aimed to raise emotional literacy in Christchurch.
A photograph of Sue Turner (left) and Ciaran Fox (right) at Margaret Mahy Playground. Turner is the All Right? Campaign Manager and Fox is the All Right? Mental Health Promoter. The photograph was taken to promote '#BrighterAutumn', a photo competition held by All Right? and the Christchurch Mail.
An image describing how to enter the All Right? '#BrighterAutumn' competition. The competition encouraged people to upload a photograph of something good about autumn to the All Right Facebook page or Instagram with the hashtag '#BrighterAutumn'. All Right? posted the image on their Facebook Timeline on 18 April 2016 at 6:40pm.
An image promoting the All Right? '#BrighterAutumn' competition. The competition encouraged people to upload a photograph of something good about autumn to the All Right? Facebook page or Instagram with the hashtag '#BrighterAutumn'. All Right? posted the image on their Facebook Timeline on 15 April 2016 at 9:25pm.
An image used as a web tile on the Stuff website. The image depicts a flower and a microphone surrounded by musical notes and reads, "Hey! What's Ladi6 doing in Canterbury?..." The image was created to promote All Right?'s 'Out and About with Ladi6's videos.
A photograph of Chisnallwood Intermediate pupils walking beside the Avon-Otakaro River. The pupils are on the inaugural walk for the Chisnallwood Trail. The walk was part of the AWA Trails launch at Chisnallwood Intermediate. All Right? posted the photograph on their Facebook page on 2 September 2015 at 3:56pm.
A photograph of Ciaran Fox from All Right? and Deputy Mayor Vicki Buck watching children cut The Worry Bug Project cake at The Worry Bug book launch. Also in the photograph is Sue Turner from All Right? and Julie Burgess-Manning and Sarina McCormick.
A photograph of Julie Burgess-Manning (left) and Sarina Dickson (centre-left) watching balloons being released. Burgess-Manning and Dickson are from Kotuku Creative, designer and publisher of The Worry Bug Project. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A photograph of balloons about to be released. Worries and wishes are written on the balloons. In the foreground is Tracey Chambers from The Canterbury Community Trust. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
A photograph of balloons about to be released. Worries and wishes are written on the balloons. In the foreground is Tracey Chambers from The Canterbury Community Trust. The photograph was taken at The Worry Bug book launch at St Albans School on 8 July 2015.
An image encouraging people to give. The image depicts a box full of muffins and reads, "Give." The image was from phase 2 of the All Right? campaign, promoting the Five Ways to Wellbeing. The Five Ways to Wellbeing is a simple, evidence-based approach to improving wellbeing, promoted by the Mental Health Foundation.
A photograph of a detail of street art on a building in New Brighton. The artwork consists of political and earthquake-related newspaper clippings and leaflets pasted to a concrete block wall. At the bottom of the piece is a leaflet with the word "You" written in blue, capital letters.
A photograph of picket signs in the windows of the Earthquake Services building on the corner of Fitzgerald Avenue and Ferry Road. The signs read, "Welcome to EQC,. Your call is important to us...", "EQC: fool me once, shame on you...", "Pig brother is watching you", and "Another winter of discontent".
A photograph of street art on the former site of a building on the corner of Bowhill Road and Marine Parade. A collection of couches and chairs has been arranged around a piano. Behind the piano, a message has been painted on the fence. The message reads, "Beautiful. Art can make anything look amazing.
A photograph of street art in the former site of a building on the corner of Bowhill Road and Marine Parade. On the left, a sheet of metal has been attached to the fence with a depiction of ChristChurch Cathedral. Next to the metal, "Stay strong Christchurch", has been painted on the fence.
A photograph of members of Crack'd for Christchurch taking a break. The team have been working on their armchair artwork in a garage.Crack'd for Christchurch comments, "February 2014. The work continues through the summer and into the winter. From left: Jayne White, Marie Hudson, Jennie Cooper, and Helen Campbell."
