A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of ten paintings are their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Rebecca Harris voting for her top five favourite paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Tracey Porteous at Gap Filler's Inconvenience store, standing in beside her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Gap Filler volunteer Masha Oliver choosing her top five paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Sarah Sutherland at Gap Filler's Inconvenience Store, standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store deciding which of the ten paintings were their favourites. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of a visitor to Gap Filler's Inconvenience Store standing in front of her favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of visitors to Gap Filler's Inconvenience Store standing in front of their favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of signs on the side of the Christchurch Art Gallery. The art gallery served as the temporary headquarters for Civil Defence after the 22 February 2011 earthquake. The signs read, "Media Info, Christchurch Earthquake Response" and "Media Briefings, every day 10:30 and 17:30 hours in auditorium". There is also a map showing access points into the central city.
A photograph of Julia Holden and Tracey Porteous sitting beneath two paintings at Gap Filler's Inconvenience Store. The paintings were part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Gap Filler volunteer Masha Oliver choosing her top five paintings at Gap Filler's Inconvenience Store. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
A photograph of Grey Quinn at Gap Filler's Inconvenience Store, standing in front of his favourite painting. The painting was part of the 'Present Tense' project which sought to highlight the inconvenience of the city in the present day. Visitors to the store were asked to choose five paintings they would like to see presented as a billboard installation in Auckland.
Students sit outside the InTentCity 6.3 Cafe, which was set up in a tent in the Law car park while University of Canterbury buildings were closed for structural testing. The photographer comments, "The University restarts its teaching, and the techies in e-learning move out of NZi3. The cafe has an outside seating area under the trees".
Cars crushed between the collapsed levels of the Smiths City car park. The photographer comments, "Just after the aftershock settled on Tuesday afternoon, myself and colleagues fled our Tuam Street office to absolute devastation outside. We couldn't see more than a block in either direction due to the clouds of dust that had arisen from buildings that had just collapsed ... From here, we picked up our vehicles from the CCC car park and headed out to get out of the chaos to a position where we could check on loved ones ... eventually made it to Colombo Street where we slowly crawled past the horrific sight of the Colombo Street Smiths City over-bridge car park. Layers had collapsed onto each other and cars were sticking out of the gaps. Hopefully if anyone was inside they would have hit the ground and would be safe under the support of the cars either side of them".
Cars crushed between the collapsed levels of the Smiths City car park. The photographer comments, "Just after the aftershock settled on Tuesday afternoon, myself and colleagues fled our Tuam Street office to absolute devastation outside. We couldn't see more than a block in either direction due to the clouds of dust that had arisen from buildings that had just collapsed ... From here, we picked up our vehicles from the CCC car park and headed out to get out of the chaos to a position where we could check on loved ones ... eventually made it to Colombo Street where we slowly crawled past the horrific sight of the Colombo Street Smiths City over-bridge car park. Layers had collapsed onto each other and cars were sticking out of the gaps. Hopefully if anyone was inside they would have hit the ground and would be safe under the support of the cars either side of them".
Photograph captioned by BeckerFraserPhotos, "A view of SOL Square from the top of the Alice in Videoland building on the corner of High Street and Tuam Street".
Photograph captioned by BeckerFraserPhotos, "The street signs and way-marking board place this scene at the intersection of Manchester, High and Lichfield Streets, even if you struggle to find other landmarks that place it there".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
Photograph captioned by BeckerFraserPhotos, "View from Cashel Mall looking over the Whitcoulls site and the demolition of Wendy's in Hereford Street to the back of the ANZ bank in Cathedral Square".
Photograph captioned by BeckerFraserPhotos, "Looking south along Tramway Lane and Tattersalls Lane with the Hotel Grand Chancellor at the end (note the concrete truck delivering concrete being pumped into the ground floor of the hotel)".
A photograph taken from the top of the BNZ building. The photograph is captioned by BeckerFraserPhotos, "A group of people on top of the Millennium Hotel with the Pacific tower to the left of the photo".
A photograph of a sign describing the earthquake memorial created on the former site of St Luke's church. The memorial is in the form of 185 pieces of stone recovered from the church.
Photograph captioned by BeckerFraserPhotos, "Looking from Gloucester Street across the demolition site of the Coachman and Canterbury Times (Christchurch Star?) buildings with Heritage Hotel on the left and Novotel in the centre".
A photograph showing All Right? posters at the Central Library Peterborough. The posters feature images from phase 2 of the All Right? campaign, which sought to promote the 'Five Ways To Wellbeing' by asking simple, open-ended questions related to wellbeing.
A photograph captioned by BeckerFraserPhotos, "Pieces of iron fretwork from the entrance of the Warners Hotel which have been carefully laid on the ground outside. This shows the careful salvaging which has taken place in order for pieces to be re-used later".