A photograph of a garden area on the former site of Piko Wholefoods.
A photograph of graffiti by JOTER on a fence in New Brighton Road, Burwood.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
A photograph of seating for Gap Filler's temporary outdoor cinema. The seating is stacked in a workshop.
A photograph of volunteers constructing the Life in Vacant Spaces headquarters.
A photograph of volunteers constructing the Life in Vacant Spaces headquarters.
A photograph of the empty site where Gap Filler's Dance-O-Mat will be constructed.
A photograph of a group of people at the Songs For Christchurch launch.
A photograph of a refreshments table at the opening of Gap Filler's Dance-O-Mat.
A photograph of the Fitzgerald Avenue Community Garden.
A photograph of the Fitzgerald Avenue Community Garden.
A photograph of volunteers creating the Outdoor Music Room.
A photograph of the Atmosphere project being set up for LUXCITY.
A photograph of the installation titled Kloud, which is part of LUXCITY.
A photograph of visitors looking up at the LUXCITY installation titled Kloud.
A photograph of the '185 Empty Chairs' memorial installation.
A photograph of a garden area on the former site of Piko Wholefoods.
A photograph of the installation titled Kloud, which is part of LUXCITY.
A photograph of the '185 Empty Chairs' memorial installation.
A photograph of street art on the former site of the Ruptured Duck in Sumner.
A photograph of a large-scale installation titled Kloud being set up for LUXCITY.
A photograph of people standing under a large-scale fabric installation titled Kloud, which is part of LUXCITY.
A photograph of a large-scale installation titled Kloud, which is part of LUXCITY.
A photograph of a large-scale installation titled Kloud being set up for LUXCITY.
A photograph of a large-scale installation titled Kloud, which is part of LUXCITY.
A photograph of the installation Kloud at LUXCITY. Archrobatics can be seen across the road in the distance.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? Looking at the recovery from the perspective of the eastern suburbs, it is impossible to avoid thinking of phenomenon referred to as 'Disaster Capitalism' and considering the aspects that have already become evident in the recovery process. Loss of equity and quality of life, risk transfer and other substantial shifts are taking place. We suggest that a regular mini-census should be conducted through the remainder of the recovery at intervals of 6-12 months to monitor deprivation, insurance cover (or lack of it), mortgage, home equity, and rental status. If unexpected changes identified, investigation and correction measures should be implemented. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents ."
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of a vacant site between Manchester Street and Latimer Square. The site is to be the location of Kloud, a large-scale installation which is part of LUXCITY.
A photograph of the large-scale fabric installation titled Kloud, which is part of LUXCITY.
