A photograph from a time-lapse series documenting the contruction of Gap Filler's Pallet Pavilion. The photograph was taken from the top of the Christchurch Casino.
A photograph from a time-lapse series documenting the contruction of Gap Filler's Pallet Pavilion. The photograph was taken from the top of the Christchurch Casino.
A photograph from a time-lapse series documenting the contruction of Gap Filler's Pallet Pavilion. The photograph was taken from the top of the Christchurch Casino.
A photograph captioned by Paul Corliss, "Pallet Pavillion and Town Hall, corner Kilmore and Durham Streets".
Fences made from old metal bed heads enclosing the space of Gap Filler's "Film in the Gap" project in Beckenham. The audience are seated on folding chairs, garden swing seats and an antique bed as they watch Lyttelton band, Runaround Sue, perform. In the background, a yellow porta-loo provides sanitary facilities for the audience.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of people painting wooden pallets, to be used for the Lyttelton Pentanque Club.
A photograph of dancers performing in Stand Your Ground. A film is being projected onto the wall behind the dancers.
A photograph of the outside of the building housing the As Far As Eye Can See exhibition. Posters in the window advertise the exhibition.
A photograph of volunteers standing beside a fence made from wooden pallets, at the site of the Poetica Urban Poetry wall.
A photograph of the 'Thinking Outside the Square' installation in the window of the Beggs Music building on Colombo Street.
A photograph of a chalkboard painted on the wall of a building. The chalkboard advertises upcoming Gap Filler events. A woman is chalking a message on the wall.
A photograph of volunteers painting the Poetica Urban Poetry wall.
A photograph of bicycles mounted in generator stands at Gap Filler's cycle-powered cinema. Cyclists are pedalling the bicycles to provide power for the cinema.
A photograph of a woman reading poetry. She is standing in front of the Poetica Urban Poetry wall.
A photograph of the Poetica Urban Poetry wall. Details of the opening event are chalked on the wall.
A photograph of people arriving at the site of Gap Filler's cycle-powered cinema. In the foreground, a sign advertises the films to be shown.
A photograph of volunteers testing the bicycle stand and generator mechanism that will power Gap Filler's cycle-powered cinema.
A photograph of a woman applying filler to a concrete-block wall, in preparation for painting it to become the Poetica Urban Poetry wall.
A photograph of members of the Kaiapoi Menzshed group standing in front of the stands they have built for an outdoor art gallery.
A photograph of large wooden flowers erected on an empty site in Kaiapoi.
A photograph of part of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of people looking at the photographs in the Orzeit/Local Time exhibition.
A photograph of the Orzeit/Local Time exhibition. The photographs in the exhibition are displayed on the wall of a building.
A photograph of people looking at the photographs in the Orzeit/Local Time exhibition.
A photograph of a poster describing the Orzeit/Local Time exhibition.
A photograph of the As Far As Eye Can See exhibition. On the left is a crocheted image of an eye, created by a group of women from Adelaide, and on the right are woven fabric artworks created by Christchurch craft artists in response.
A photograph of some of the craft artists who were involved in creating the As Far As Eye Can See exhibition.
A photograph of children's play equipment on the site of the Gap Filler office. In the background, a mural reads, "The things which I have seen I now can see no more".
A photograph taken at the launch event for Wayne Youle's mural, 'I seem to have temporarily misplaced my sense of humour'.
