People peer through the cordon fence outside Ballantynes. The photographer comments, "Whilst on the CERA red zone coach tour we passed Ballantynes and felt like caged animals. There was crowds watching us and we were caged inside the CERA coach with our keepers to make sure we were not allowed to escape our confines".
A photograph of the Canterbury Cultural Recovery Centre's main floor.
A photograph of the Canterbury Cultural Recovery Centre's main floor.
A photograph of the Canterbury Cultural Recovery Centre's main floor.
A photograph of furniture stored at the Canterbury Cultural Recovery Centre.
A photograph of furniture stored at the Canterbury Cultural Recovery Centre.
A panoramic photograph of the Canterbury Cultural Recovery Centre's main floor.
A photograph of the Canterbury Cultural Recovery Centre's main floor, taken in June 2014.
A photograph of shelving used to store collections in the Canterbury Cultural Recovery Centre.
A photograph of material from the Lyttelton Museum being stored at the Canterbury Cultural Recovery Centre.
A photograph of mannequins stacked in the storage shelves at the Canterbury Cultural Recovery Centre.
A photograph of a stuffed tortoise that is being stored at the Canterbury Cultural Recovery Centre.
A photograph of two lecterns and other furniture being stored at the Canterbury Cultural Recovery Centre.
A close-up photograph of mannequins stacked in the storage shelves at the Canterbury Cultural Recovery Centre.
A photograph of an inventory list of some of the items stored at the Canterbury Cultural Recovery Centre.
A close-up photograph of a stuffed penguin that is being stored at the Canterbury Cultural Recovery Centre.
A poster created by Empowered Christchurch to advertise their submission to the CERA Draft Transition Recovery Plan on social media.The poster reads, "Submission. CERA Draft Transition Recovery Plan. 5. In your opinion, is there a better way to report on these recovery issues? Looking at the recovery from the perspective of the eastern suburbs, it is impossible to avoid thinking of phenomenon referred to as 'Disaster Capitalism' and considering the aspects that have already become evident in the recovery process. Loss of equity and quality of life, risk transfer and other substantial shifts are taking place. We suggest that a regular mini-census should be conducted through the remainder of the recovery at intervals of 6-12 months to monitor deprivation, insurance cover (or lack of it), mortgage, home equity, and rental status. If unexpected changes identified, investigation and correction measures should be implemented. We need a city that is driven by the people that live in it, and enabled by a bureaucracy that accepts and mitigates risks, rather than transferring them to the most vulnerable residents ."
A photograph of signs outside a Recovery Assistance Centre set up after the 22 February 2011 earthquake.
A photograph of furniture being stored on top of a pallet at the at the Canterbury Cultural Recovery Centre.
A photograph of one of the smaller rooms of the Canterbury Cultural Recovery Centre. This room stores the Kaiapoi Museum's collection.
A photograph of a cannon and other large objects that are being stored at the Canterbury Cultural Recovery Centre.
Workers at the entrance of the Vehicle Recovery Centre in the car park of the Christchurch Botanic Gardens.
A photograph of a model ship that is being stored in one of the stacks at the Canterbury Cultural Recovery Centre.
A graphic giving details about the river park proposed in the Christchurch Central Recovery Plan.
A photograph of CEISMIC Digital Content Analyst Alexandra King standing next a collection of furniture being stored in the Canterbury Cultural Recovery Centre.
A photograph of members of the Red Cross in a Recovery Assistance Centre set up after the 22 February 2011 earthquake.
A photograph of the Canterbury Cultural Recovery Centre's main floor. There are St John's uniforms hanging from a clothes rack at the end of one of the stacks.
A sticker produced by SPCA Canterbury for residents to stick on their doors, indicating that there is an animal inside the property. This was produced after the 2010 and 2011 Canterbury earthquakes to help emergency personnel determine whether an animal is inside the building.
Earthquake Recovery Minister Gerry Brownlee speaking at the opening of the Stronger Christchurch Infrastructure Rebuild Team (SCIRT).
A photograph of a cannon, a lantern, a marble honours board and other large objects from museum collections which are being stored at the Canterbury Cultural Recovery Centre.
