Christchurch: The Transitional City Pt IV, page 138: CERA
Articles, UC QuakeStudies
A PDF copy of page 138 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'CERA'.
A PDF copy of page 138 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'CERA'.
A document which details the agreement in September 2013 between the Government and the Christchurch City Council over governance of the horizontal infrastructure rebuild.
The health benefits, cleanliness and exoticism of the Turkish Bath so appealed to Canterbury settlers that it became the height of fashion in the 1880s. Today we enjoy city operated spa facilities …
Photograph captioned, "Dallington used to be the most popular suburb in New Zealand to live in. And that makes sense, because it's halfway between the beach and the city. It's close enough to town but far enough away, as well. There were good schools in the area. The mall was close. It's got the river and the tree lined sections, everything. It was special all right".
A PDF copy of six posters created from the All Right? 'Compliments' campaign that appeared in the washrooms at Westfield Riccarton, Northlands and Hornby Malls. Each poster contains a unique compliment followed by, " Let's remember it's often the simple things that bring the most joy." The posters also includes the web address of the All Right? Facebook page.
The project report for Poetica, part of Gap Filler project 20, Walls. Poetica was an urban poetry project in which an interactive poetry installation was painted on the wall of 614 Colombo Street. The purpose of the project was to visualise the regeneration of Christchurch as an unwritten poem by allowing members of the public to writing poetry on the Poetica wall.
A PDF copy of pages 94-95 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Buskers Festival Relocation Around the Events Village'. Photo with permission: Buskers Festival
  Of all the house sections in all the world, ‘The Smiths’ had to walk into mine. Between 1897 and 1899, that is… Today on the blog I’ll refrain from making jokes about ‘Brangelina’ and the 2004 movie that shares … Continue reading →
A presentation to the IPWEA conference of a paper which shares the process followed for the assessment and prioritisation of the retaining walls within the Port Hills in Christchurch.
A PDF copy of page 134 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'Red Zone'.
Early photographs are the best. They encompass everything from the utterly absurd to the momentous to the mundane. They provide us with a window into the past that is rare and wonderful (especially from an archaeological perspective), putting faces to … Continue reading →
Working in archaeology here in New Zealand we most often encounter the material remains of Māori settlement and colonisation by the British Empire in the 19th century. Groups such as the New Zealand Company and the Canterbury Association laid out … Continue reading →
It’s that time of year again, the summer season is upon us, and this year has really has brought the heat! With much of the country sweltering in the late 20s and early 30s lately, it’s made us appreciate the … Continue reading →
A PDF copy of page 132 of the book Christchurch: The Transitional City Pt IV. The page documents the transitional project 'Hunters & Collectors Building'. Note that images have been removed from the page for copyright reasons.
An PDF copy of a mock-up t-shirt design. The shirt includes the All Right? logo on the front and the CPH Pacific Health logo on the back, above the text "It's all right to love your Pacific culture".
A PDF copy of a poster with tear-off tabs from the 2013 All Right? 'Compliments' campaign. The poster reads, "Free compliments. Give one away today. A kind word can mean the world to someone - tear one off and share the Canterbury love," and contains twenty unique compliments. The poster also includes the web address of the All Right? Facebook page.
A blog post from Moya Sherriff about her sixth month as Intern for the Canterbury Cultural Collections Recovery Centre (CCCRC). In this post Sherriff interviews Jane Teal, the Archivist of the Anglican Diocese of Christchurch, about her experiences rescuing the archive after the earthquakes and moving in to the Recovery Centre. This blog post was downloaded on 18 November 2014.
A PDF copy of pages 58-59 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Port-A-Loos on the Pine Mound'. Photo: Elizabeth Peacock
A PDF copy of pages 350-351 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Concrete Propositions'. Images: Ash Keating Concrete Propositions 2012. Acrylic house paint on concrete. Copyright the artist. Courtesy the artist and Fehily Contemporary, Melbourne Australia. Photo: John Collie.
A PDF copy of a media release by All Right? titled "World first campaign aims to take Canterbury beyond All Right". The media release introduces the All Right? campaign by discussing the vision, organisation and significance of the campaign, and outlines the prospective three phases of the campaign. The release is dated 25 February 2013.
A Gap Filler submission to the Christchurch City Council Draft City Plan on behalf of the Gap Filler Trust, Greening the Rubble Trust and Life in Vacant Spaces Charitable Trust. The submission recommeded that the Christchurch City Council retain the funding levels for these intiatives at 2012 levels ($565,000) rather than reduce them to $400,000 as proposed, and that this funding be tagged for projects citywide and not restructed to the central city.
Stage IV of the Christchurch liquefaction study updated the Stage II liquefaction hazard and ground damage maps with further data collected from other organisations, and included two additional maps indicating liquefaction sensitivity to groundwater levels. Stage IVa of the Christchurch liquefaction study used revised groundwater levels and adjustments to the liquefaction prediction algorithm. The outputs of the report were liquefaction hazard and ground damage maps for both average summer (low) and average winter (high) groundwater levels. The maps produced as part of Stage IVa of the report were subsequently included in an Environment Canterbury public education poster The Solid Facts on Christchurch Liquefaction which also contained information on how liquefaction occurs and what can be done to mitigate the liquefaction hazard. Stage IV of the Christchurch liquefaction study contained a number of recommendations to improve the liquefaction potential and ground damage maps for Christchurch. See Object Overview for background and usage information.
A document which discusses the importance of the Alliance Objectives to the operation of SCIRT.
The growing permanence and sophistication of Christchurch, is evident in this photograph of Lichfield Street. Taken by the Burton Brother’s, the photograph shows us that the little frontier …
This land-locked port of Lyttelton – called occasionally Port Cooper and sometimes Port Victoria – is the main, or rather the only, entrance to the Province of Canterbury. The surroundi…
The construction of government buildings have long attracted opinion and criticism and the Italian Renaissance style Government Buildings on the corner of Worcester street and Cathedral Square were…
Today on the blog we’re talking about an exciting project that we’ve been involved with over the past few months. In 2013 the Ashburton District Council took over stewardship of the Ng King Brothers Chinese Market Garden Settlement on Allens … Continue reading →
A copy of the first issue of Doing Gender & Disaster, a journal produced by the Gender & Disaster Network. The issue examines the National Council of Women of New Zealand (NCWNZ) project, Women's Voices: Recording women's stories of the Canterbury earthquakes.
A PDF copy of pages 344-345 of the book Christchurch: The Transitional City Pt IV. The pages document the transitional project 'Canterbury Quakes'. Photos courtesy of Canterbury Museum
Presenting, with the aid of illustrations, the tale of an intrepid archaeologist, her trusty team and her quest to untangle the history of a house. It’s the story of a long lost age, a story for the ages, an age old story, a coming … Continue reading →